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Dolby Digital January, 2004   Dolby Digital. Sure it can be done     By André Rousseau   Its no lie, you can produce full 3.2 + sub channel Dolby Digital productions using nothing more then a G5 and a few key pieces of software. After spending some time reading over Encoding AC3 Audio with A.Pack - by Jeff Warmouth, I started exploring A.Pack. What an incredible piece of software. First off it can take a 61MB AIFF file and turn it into a 8MB AC3 file, so the power to save is outstanding. It also allows you to create 6-channel audio. That's what this article is all about. Creating splendid surround sound audio for your DVD projects. I've been enjoying surround sound audio with my home theater system since 2000, I now refuse watch a movie any other way. Nothing is better then sitting dead centre with the volume cranked and enjoying the full experience of a movie. Pending no one else is in the house. On with the article! The goal I set out for myself was to take my plain old stereo intro video and make it sparkle. Like any video intro I do, I set out to build the video sequence, once that is complete and I am happy with all my edits, I start mixing the audio. This particular piece is a driving video so I want to hear the engine, the exhaust and other car sounds. Once all my leveling is completed I launch into Soundtrack. In Soundtrack I select 5 distinct sounds drums, guitar, horns, bells and strings. Nothing I'd win an award for, but it does the job. After fiddling with the music for a while I merge the two pieces of audio together in FCP. Make what ever tweaks are required to ensure clean balanced audio. From there I export the stereo intro audio and video through compressor. I need a complete mix for the stereo audio stream on the DVD. Once compressor is finished I return to FCP. I require an AIFF track of just the car sound at full volume. This will be used on the centre channel when I start composing in A.Pack. Sweet sounds in Soundtrack. Working from the copy of the stereo intro I begin rearranging the audio sequence in Soundtrack to produce AC3 Dolby Digital 3/2 + sub 6-channel audio. This can be a little interesting, but you are left with a lot of creative control of where and when to place your audio elements. The idea here is I will have music on the front and back speakers, the car audio in the centre and the drums on the sub. As you can see I have already divided the audio into groups. Drums going all channels except the centre channel, the guitar is mainly on the rear channels, but does pop into the front a few times, same idea for the horns mainly up front, but they do make appearances in the rear at times. The strings are in the rear and the bells up front. It just makes the work easier and ensures a balanced audio playback along with a nice sound experience. One nice feature about working with more channels is you gain more freedom to push your sounds out. You are no longer cramming all these sounds onto small 2 channels of audio you have now have 6 separate channels to flood. Oh the joy. After balancing everything, checking the levels and listening to the groups with speakers and headphones I export the mixes as AIFF files. Drum solo file for the sub woofer channel, front 2 audio channels with drums, guitar, horns, springs and bells. Similar idea for the back 2 channels but altered to fill the holes. While writing this article I discovered that A.Pack would not take audio files that are under 48Khz. There is a preference in Soundtrack to adjust this. Thanks Ken. A.Pack of hungry audio files. Once inside A.Pack you can see this application is to the point. Since I want full AC3 Digital Dolby 3/2 + Sub I select the 3/2 option and enable low frequency effects. The target system is DVD Video. I leave the Data Rate at 448 and change the dialog normalization to -31. If you read Jeff Warmouth's AC3 piece you will see -31 tells A.Pack not to modify the sound levels. There are no changes under the Bitstream menu, but under Preprocessing you need to change the compression preset to none. Next I place the front 2 sound files on the left and right channels, car audio on the centre channel, drums to the LFE (sub woofer) and the back2 files on the rear left and right channels. The one draw back to A.Pack is the fact you cannot test your AC3 files. Yes you can play the audio through an optical cable to your Dolby Digital sound system, but it will not engage the system like a DVD will. It only plays stereo. So until a DVD is mastered there is no way to tell how the Dolby Digital AC3 3.2 audio sounds, but it wont take long to build a test run DVD image. A.Pack makes short work of creating the AC3 file. It took less then 10 seconds and the file was only 1.8 MB. The Soundtrack stereo AIFF file was 10MB. Power To Burn! I regroup all my files and head into DVD Studio Pro 2. In DSP2 I place the intro video mpg2 file on the video track, the Dolby Digital audio file on audio stream 1 and the stereo mix on audio stream 2. Next I build and format the DVD. I create an image of the DVD and launch into my DVD Player application. I have set the DVD Player app to use the optical output of the G5. This runs to the stereo system and for the first time I can sit and hear my creation. Drums all around exhaust notes from the centre, horns up front and guitars behind me. Wicked! Summary. Thank you he's done talking. So as you can see with current hardware and software anyone can add Dolby Digital audio to their work. It's an enhancement and a space saver. What else can you ask for? Side note, I decided to try the Dolby Digital 3.2 audio on all my driving videos. The addition of the back channels and specially the sub woofer really adds to the viewing experience. About André Rousseau André Rousseau has been in the digital video industry since 1995 and has over 11 years of editing experience behind him. He has worked the News beat, cut professional television series, taught television broadcasting at the high school level and currently owns his own company GO Time Media from which he produces DVDs and offers freelance services. Visit his site for more detail www.gotimemedia.com copyright © André Rousseau 2004 This article first appeared on www.kenstone.net and is reprinted here with permission. All screen captures and textual references are the property and trademark of their creators/owners/publishers.