you're probably right,
and somethng has to give to make these decks affordable.
although i'm prepared to believe that sony spends a fortune working out how to take some freatures OUT :-)
all our rooms work in DV, but we generaly have to capture from a central rack.
so we get DV from the DSR1500 converted to SDI converted back to DV for off-lining.
and there is a delay in the conversion back to DV that is USUALY -3frames, but not ALWAYS, so the burn in is important.
(timecode goes via a keyspan adapter)
if we capture whole tapes, it;s easy enough to cross-check a frame.
for log & capture, it;s too hard, and we use a floating DSR11.
thanks, ian
nick