<<<Why was it shot that way?>>>
We borrowed a Sony DV Camera from the company and shot the teacher in "nightvision" which made up for the fact that the lights in the theater were low. We were after the arm motion of the teacher and the color of his shirt wasn't important.
Oh, you mean why the oddball frame size and progression rate? The software made that up. This is the standard tool we use for capturing computer screens while a SME (Subject Matter Expert) is teaching a class. You can't do it in a lower resolution. Trust me, we tried.
When you're talking about touching out dust particles or wire rig removal, the teacher's screen has to be really large or you spend *all* your time zooming.
I'm going to try rendering the wacky footage down to DV and directly integrate it with the SME video. Most of the graphic work is grand and not fine detail at all. Do I do that at the final show export, or does it pay to do it ahead and use real DV footage on the timeline?
Alternately, is there a HiDef Project setting I can use for the least damage?
Koz