> I have tested this by laying the XDCAM qt's onto a DV anamorphic timeline, rendering and then
>playing out to tape.
If your DV deck has SDI inputs, then I would send out a downconverted SDI signal from the Kona. Otherwise, I will send a downconverted component signal through the Kona. Probably set timeline to XDCAM EX, and if that requires mpeg2 conforming, I'll render it out either in ProResHQ or Uncompressed 10 bit if I have the space and hard drive capability, but basically let the Kona do the downconvert instead of FCP.
>I have then recaptured the footage to find that the audio has gone from being split (cam audio
>left channel, music in the right) to both channels one and two being panned to the middle.
As long as the audio signal are still discrete channels (aka iso tracks) in the QT file, you can set audio output to "dual mono".
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