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"Current Frame" in Frame Viewer darker than Canvas?Posted by Bradley Kents
Haven't run across this one before ... have you?
I'm doing some color correction on an new iMac, no external HD monitor. When I open the Frame Viewer in the Tool Bench window to see the "Current Frame" as compared to the "Current Frame w/o Filters," the Current Frame is noticeably darker than the Canvas. Makes Color correction difficult as I'm unsure which is accurate -- the Current Frame or the Canvas. Any ideas about what's going on here? Thanks, Bradley
>I'm doing some color correction on an new iMac, no external HD monitor.
It's going to be tough to grade without a good reference. You need an external HD monitor to grade. www.strypesinpost.com
Thanks for your response, strypes,
I agree with your statement that it will be tough to grade without a good reference monitor -- an external HD monitor. And I normally would. But I'm at a friend's and this is for non-professional work -- just to stream on YouTube. It doesn't even need a whole lot of help. But all that said, my question remains. I've worked in FCP for many years and don't recall seeing a difference between the "Current Frame" in the Frame Viewer and the Canvas. Why would the "Current Frame" be darker than the Canvas? I can't explain it ... am I missing something here? Thanks, Bradley
Sure Tom,
Don't get how to attach/upload a file here, but here's a link to a couple of screen shots. [www.box.net] Bradley
Right, Tom.
Didn't mean that literally ... I know that the "Current Frame" pane isn't actually the Canvas. But when it is the active window -- and it is -- then the "Current Frame" portion of the Frame Viewer should match the Canvas. In this case it doesn't. That's what I've never experienced before and I don't get ... Bradley
Bradley,
Thanks for your report about this issue. I can confirm the same behavior, i.e., a 5 to 7 percent difference in RGB values between the Frame Viewer and the Canvas. I used an Easy Setup to create a ProRes 422 (HQ) at 1080i60 sequence and dropped the color bars (first item in list) into the sequence. I then opened the Frame Viewer and set it to "Current Frame." The color bars varied between 5 and 7 percent (thereabouts) between the Canvas and the Frame Viewer. I measured this with the DigitalColor Meter.app tool (Utilities folder). Some of the color bars were clearly different even from a simple visual inspection. This "test" was performed using FCP 7.0.2 and Mac OS X 10.6.3 (current versions of everything) on a 2008 Mac Pro. By the way, this is my "test" system, which I don't use for real work. ----- As I am still dubious of the "production ready status" of using Snow Leopard and Final Cut Studio together, I then ran my "test" on my production system, running Mac OS X 10.5.8 (same exact hardware setup). The results showed no difference between the Frame Viewer and the Canvas. ----- So, this seems to indicate yet another "glitch" in using the current Final Cut Studio with Snow Leopard. Who knows if it is a QuickTime or a Final Cut Studio issue (or both). It doesn't seem to be hardware related... This is why I haven't moved my production system to Mac OS X 10.6.x. I will report this issue via the FCP feedback mechanism, as well... -Dave
Thanks, Dave, for your detailed tests and response.
I will report the issue via the FCP feedback mechanism. And by the way, I suppose this is obvious, but with the FCP/Snow Leopard setup, it's the Canvas that appears to represent the correct levels, NOT the "Current Frame" in the Frame Viewer. Bradley
Oops! Good point. Yes, in my testing the Canvas always displayed the proper colors. The Frame Viewer was off (Mac OS X 10.6.3 + FCP 7.0.2). -Dave
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