workflow for Color to FCP with remote/different computers

hello,
i'm working on a project with another editor in another city. We both have identical harddrives with the same source material and we just email FCP project files back and forth which has been working great.

But i was wondering what the best or proper workflow for doing work when the FCP timeline is sent to "Color" program for coloring then sent back to FCP timeline. The FCP sequence i get emailed to me now obviously won't connect up to the "COLOR" rendering/grading. Is there any way to remove the "COLOR" effects to keep working?

Any suggestions would be greatly appreciated, thanks!

Nope. Color creates new media once you export the project from Color and send it back to FCP. Wait until you've locked the edit then send it to Color.


-Andrew

thanks for the tip!