|
Show all posts by user
bluey Wrote:
-------------------------------------------------------
> Loren Miller Wrote:
> --------------------------------------------------
> >
> > Another high hope of mine is that some major
> > talents in the FCP team acquire the rights to
> the
> > present FCP7 code, start a new company and
> build
> > the app into what we expect.
No
by walterbiscardi
- Café LA
Shane Ross Wrote:
-------------------------------------------------------
> This guy?
>
>
> chechtman/Home.html
>
> Doesn't seem to be a major player. I don't know
> what all the buzz about him doing this is.
Um, no. Evan Schectman is the founder of Outpost Digital
and @radical.media
He has over 100 FCP workstations in multiple locations, doe
by walterbiscardi
- Café LA
As the others have noted, DVCPro HD is not Prosumer, not by a long shot. All the HD seasons of Good Eats were done on the Varicam in DVCPro HD, all of our feature documentaries and pretty much every HD project we've done since 2003 have all been DVCPro HD shot on Panasonic Varicam or similar cameras. We're gearing up to do up to 13 original series in 2012 that will all be shot with Panasonic V
by walterbiscardi
- Café LA - X
plbhl Wrote:
-------------------------------------------------------
> I believe Apple has thought this through and are
> willing to gamble that the expanding consumer
> market will pay off in the end, but meanwhile
> they are hoping to retain as much of the lower end
> pro and prosumer video production users as
> possible.
Absolutely what I have been saying since Apri
by walterbiscardi
- Café LA - X
Andy Field Wrote:
>
> Any idea when the next Premiere Pro is set for
> release?
At our November Atlanta Cutters meeting, the Adobe team said to follow history, so expect April NAB for the introduction of CS6. Adobe has booked our entire May Atlanta Cutters meeting so I think that confirms we'll see it in April.
by walterbiscardi
- Café LA - X
plbhl Wrote:
------------------------------------------------------->
> Looking into Avid, unfortunately. Hoping to avoid
> it, but FCP's future doesn't look good for most
> pro, and all feature film users.
Avid Media Composer 6 is really really good and works with all our existing FCP hardware. This from someone who hated all things Avid until very recently.
by walterbiscardi
- Café LA - X
Shane Ross Wrote:
-------------------------------------------------------
> evarita Wrote:
> --------------------------------------------------
> -----
> > Went to a recent Avid 6 demo. They are all
> about
> > wooing FCP users, 64bit and 3D.
> > No changes to any tools.
>
> NO changes huh? Adding support for four
> third-party capture card mak
by walterbiscardi
- Café LA
strypes Wrote:
-------------------------------------------------------
> Just curious, Walter, are there as many Avid
> editors in your area as there are FCP ones?
Atlanta was an Avid town before FCP got here so there are tons of Avid editors and they are very excited to see third party support so they can transition from FCP to Avid very easily.
by walterbiscardi
- Café LA
evarita Wrote:
-------------------------------------------------------
> How do you like Premier Pro on a Mac?
> is it as good as Avid?
> thx
One is not better than the other. They both have strengths and weaknesses which is why we have both installed in our facility and are running the right one for the particular project at hand.
by walterbiscardi
- Café LA
Fantasrick Wrote:
-------------------------------------------------------
> Can someone tell me why you can't just continue to
> use FCP 7? Why even bother with FCP X? Just
> because apple doesn't support something anymore,
> why can't we just support it ourselves?
Because at some point you have to move forward. Better to move forward on YOUR terms rather than waiting until
by walterbiscardi
- Café LA
shelleyrae Wrote:
-------------------------------------------------------
> Thanks for the feedback Derek and Walter.
>
> When I play the DVD so called "master" I don't see
> the stepping. It actually looks pretty good. What
> if I recorded the DVD to a digital tape and then
> captured the footage from the tape. Do you think
> that would work?
You're s
by walterbiscardi
- Café LA
shelleyrae Wrote:
------------------------------------------------------->
> I still don't understand why I'm getting the
> stepping or how to fix it? It's not like that on
> the DVD and I have extracted media from other DVDs
> without winding up with the stepping problem.
>
> Do you know anything I can try to fix it?
>
> Thanks
Not all DVDs are create
by walterbiscardi
- Café LA
derekmok Wrote:
-------------------------------------------------------
> A DVD "master" is never going to look too hot.
> You're taking an SD source, compressing the heck
> out of it in MPEG-2 for the DVD, and then
> re-extracting that MPEG-2 for a further layer of
> heavy compression (ProRes). But then, why are you
> editing in a DV NTSC timeline? That adds
by walterbiscardi
- Café LA
You are correct sir, that's what happens when you type during the holidays after a few glasses of wine....
by walterbiscardi
- Café LA - X
grafixjoe Wrote:
-------------------------------------------------------
> > I like FCP X and Motion 5, but they crash all
> the time.
>
>
> ...sorry...you like crashing all the time? Not me.
> Just received my Media Composer 6 upgrade on
> Christmas Eve and have knowledge of the upcoming
> Production Premium CS6 having a "Secret Weapon"
> for C
by walterbiscardi
- Café LA - X
You have to give the stations what they want. All stations and networks have their digital specs available. If you give them the wrong thing, they will not air it. Doesn't matter what we suggest, you MUST supply them with the correct file.
We supply MPEG-2, H.264, ProRes and DNxHD files to most stations, though the actual specifications of each are different. No two stations get the exact
by walterbiscardi
- Café LA
> Been cutting video since reel to reel
> B&W.....Loved the old FCP ....I think the haters
> out there are not taking the time to learn and use
> this software....it's not for everyone.....but in
> reality it is.
>
> Aron Ranen
It's not for everyone at all. You found a great example of a workflow that works. Short projects, self contained within the applicat
by walterbiscardi
- Café LA - X
Nope, we have not encountered any sort of audio sync issues with projects moving from FCP to Premiere Pro.
by walterbiscardi
- Adobe Premiere Pro CC
We don't use the plural eyes workflow since we rarely use DSLR material. If the audio filename is being changed then probably what you need to do is export the files as self contained movies after you sync them.
XML to Premiere Pro is working very well for all our older projects since it's regular QT files. Nothing out of the ordinary.
by walterbiscardi
- Adobe Premiere Pro CC
It was announced yesterday that Dan Desmet, one of the four founding partners of Flanders Scientific, passed away. I am lucky to have not only have known the man and called him my friend, but he welcomed me into his own family.
Flanders Scientific has posted an official notice on their website.
I have posted my thoughts on my website.
Memorial service will be this Tuesday. If you
by walterbiscardi
- Café LA
emissaryfilms Wrote:
-------------------------------------------------------
>Is anyone seeing a trend towards
> Premiere at all?
Yep, we are here in Atlanta. The general consensus is that it's so close to being absolutely perfect for almost all applications that many of us are dealing with some of the minor annoyances right now. Most importantly, there are many MANY very good FCP
by walterbiscardi
- Café LA - X
You just work horizontally in the timeline if you want to.
You can set up a custom timeline in FCP to match the specs of the signage display. Then you edit like you normally would. When I've had to do stuff like this, I just build the whole thing horizontally with the text rotated 90 degrees so it plays correctly when standing up vertically.
That's generally how most of these vertic
by walterbiscardi
- Café LA
If it's not broke, why fix it? That's a very old version of FCP at this point, I would NOT even try it with Lion.
If you want to go Lion, then step up to FCP X or Adobe / Avid instead.
by walterbiscardi
- Café LA
We've run FCP 7 with Snow Leopard since 6 months after that platform was released. FCP 7.0.3 with 10.6.8 has been very solid here, as it is also solid with Premiere Pro CS 5.5.2 and Avid Media Composer 6.
by walterbiscardi
- Café LA
Depending on which one you get, it's essentially the same computer as the iMac and even the MacBook Pro so they're fine to cut projects. Your connectivity to external RAIDs is somewhat limited unless you go thunderbolt, but as far as cutting in FCP, should be no problem at all except maybe the high end stuff from RED and Alexa.
by walterbiscardi
- Café LA
FCP's Canvas will mask issues with footage that you will not see unless you're connected to a high quality reference monitor. A consumer TV is set to mask noise and can also mask out issues with original footage from time to time.
We replaced all of our old CRT reference monitors with Flanders Scientific for this very reason. They do not mask noise, they show all interlacing correctly (which
by walterbiscardi
- Café LA
It's good that Version 2.0 or whatever you guys will call it next year will finally be something that more editors can use. Will be interesting to see where that product ends up in another 2 years.
Between what Avid just released and what Adobe has been talking about moving forward, I'm pretty happy to hitch our wagon to both of those horses for now. I will say it's absolutely remarkable
by walterbiscardi
- Café LA - X
The 24 port switch is 10GigE throughout. But each of the suites is just getting standard GigE. We can switch that in the future, but just standard Cat6 cable to each computer from the switch. We've been cutting ProRes almost four years this way and DNxHD seems even lighter on the system.
by walterbiscardi
- Avid Media Composer
FOR IMMEDIATE RELEASE
November 5, 2011
BUFORD, GA
Biscardi Creative Media (BCM) has completed post production for season one (13 episodes) of the new PBS television series, "This American Land." BCM Principal, Walter Biscardi, Jr. is Managing Producer and Post Production supervisor of the series which is the first to come out of their new 6,000 square foot location opened rece
by walterbiscardi
- News and Announcements
strypes Wrote:
-------------------------------------------------------
> Just read it. Nice one, Walter. Does it generate a
> lock file if two people open the same bin (like on
> a Unity) or does it share in an FCP manner where
> you have to be careful about not saving over
> someone else's bin?
Nope, it does not generate a lock file. What we are doing in our testing is s
by walterbiscardi
- Avid Media Composer
|
|