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Show all posts by user
strypes Wrote:
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> Just curious, Walter, what are you using for
> shared storage on the Avids?
My article is now published on the Creative Cow website. We're using our Small Tree ethernet SAN with the Avid and I show you how to enable the drives in the article.
by walterbiscardi
- Avid Media Composer
grafixjoe Wrote:
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> Gotta give Apple credit...the FCPX debacle gave us
> 2 SOLID new editors to use in our kits = Premiere
> CS 5.5 and MC6.
That's what a long time Avid editor was commenting about here in Atlanta a few weeks ago. Apple was poised to kill of Avid and then handed them a beautiful lifeline in the form of X.
by walterbiscardi
- Avid Media Composer
strypes Wrote:
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> Just curious, Walter, what are you using for
> shared storage on the Avids?
Can't comment on that at this time. Sorry. After the product is publicly released I can talk more.
by walterbiscardi
- Avid Media Composer
Shane did an absolutely fantastic job on that review and he's been absolutely giddy over the AJA Kona performance during all the testing.
I can tell you here at our shop, the operation of the AJA Kona 3 in our system has been performing flawlessly with MC6. I would still have to really ramp up my efficiency in the application as this testing was the first time in over 12 years I've used Avid
by walterbiscardi
- Avid Media Composer
ClayC Wrote:
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> Two guesses:
>
> 2. Which leads to when? Soon = within the next
> 3-6 months. Tower sales are certainly soft in
> part because a lot of people are holding back due
> to the uncertainty. For that reason alone, Apple
> can't and won't let the suspense continue too much
> longer.
> Whatev
by walterbiscardi
- Café LA
Yet another consideration for going Adobe / Avid. Both are cross platform, our AJA Kona boards are cross platform. So instead of being forced to go all external thunderbolt technology, I can still the same Kona boards in a comparable Windows 7 machine and for the most part, the PCs are still cheaper than the Macs.
Plus our server supports both Mac and Windows so I can replace my machines on
by walterbiscardi
- Café LA
derekmok Wrote:
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In fact, a good number of people
> here (I think Walter Biscardi was one of them)
> said that they already had Premiere installed and
> lurking on their systems anyway when Apple killed
> FCP7.
Yep, we've had the Adobe Production Premium package on our systems for years which includes Premiere Pro. Jus
by walterbiscardi
- Café LA - X
djole Wrote:
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> I own FCP, and I know there's been a lot of issues
> with the X. But, there is little doubt that the X
> will become an amazing product in years to come,
> and will become the new industry standard. And I
> am pretty confident that every single feature in X
> is available in FCP.
There is plenty
by walterbiscardi
- Café LA - X
One thing for sure, since you mention the room gets hot, get a small fan and put it directly in front of the Mac to move more air through the machine. Might put a second fan behind the machine pointed across the back to help dissapate the heat.
Sounds like when the graphics card is cranking, it overheats the machine causing the restart.
by walterbiscardi
- Adobe Premiere Pro CC
It's not required in the least. In my shop I'm editing everything natively and then I can make a ProRes file at the very end if I want to for archiving using the Adobe Media Encoder which renders much much faster than Compressor.
by walterbiscardi
- Adobe Premiere Pro CC
Just depends on what you're doing. You can cut in any format in Premiere. If you want to capture / convert your footage to ProRes for the edit, that's fine.
Karl Lee Soule posted an excellent article on doing a ProRes end to end workflow in Premiere Pro.
by walterbiscardi
- Adobe Premiere Pro CC
Steve Douglas Wrote:
I am sure that no
> one at Apple would admit to ignoring suggestions
> and requests so it would be up to the testers
> themselves to state that and that is something I
> have not seen.
Beta testers can't talk, period so you will not see any of them come out publicly and state anything. I used to be a beta tester for Apple years ago and the NDA is pret
by walterbiscardi
- Café LA - X
derekmok Wrote:
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> FCPX has only been out for a few months and all
> these problems were immediately spotted by the
> users. Apple simply didn't test this thing
> properly. No, they should not have released this
> "alpha", period. Not to meet a deadline, not to
> catch the 64-bit wave. You don't release
by walterbiscardi
- Café LA - X
I don't know, we have not worked with any RED projects. Had a few come through for color grading, but that was about it.
by walterbiscardi
- Adobe Premiere Pro CC
Raw AVCHD files are MP4's so if you exported the same as the Sequence, then yes, you'll end up with an MP4.
Most of the codecs shot natively in digital cameras are a derivative of H264 / MPEG in some fashion. If you're used to the FCP Log and Transfer tool, you never knew this because the formats were converted prior to edit.
by walterbiscardi
- Adobe Premiere Pro CC
Michael Horton Wrote:
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>
> s/2011/Apples-Richard-Townhill-discusses-the-lates
> t-FCP.aspx
>
> But can you import XMLs of FCP 7 projects into FCP
> X? No.
> ?The formats are actually different, so this is
> a laws of physics sort of problem. The XML from
> FCP 7 describes just the project; the XML in 10
by walterbiscardi
- Café LA - X
AJA already has a thunderbolt device announced at IBC so I'm certain that the broadcast monitoring will be one way to achieve this. We're gonna have AJA at our Atlanta Cutters event in October and I'm anxious to see what this thing looks like.
I'm also pretty certain that some of the video cards that people own will also work with broadcast monitoring. It may not be every single one of thos
by walterbiscardi
- Café LA - X
Michael Horton Wrote:
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> Seems many folks are trying to import FCP 7 into
> FCP X via XML and complaining it doesnt work. Of
> course it doesnt work. Where does it say that it
> does work?
Nope, it doesn't say that all, you are correct. It says third party workflows.
Of course it's also not the standard XML protocol ei
by walterbiscardi
- Café LA - X
Is the XML Import / Export native to the app or still third party?
And intelligent stem export means it's still trackless in the editing app but then you can assign how audio is output? Sounds a bit more convoluted than it has to be.
by walterbiscardi
- Café LA - X
Jon Chappell Wrote:
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> And a 30-day trial.
THAT is freakin' hilarious to me. NOW they have the 30 day free trial. I guess better late than never for those who never paid for it up front.
by walterbiscardi
- Café LA - X
I will add that for the moment I have all my Premiere Pro systems set up in the Final Cut Pro 7 Keyboard Shortcuts (Thank you Adobe for providing that!) as it is making the transition incredibly simple because all my memorized shortcuts pretty much work.
But as we continue to transition completely away from FCP, we'll start to implement the Adobe shortcuts. It's a nice way to ease into the so
by walterbiscardi
- Adobe Premiere Pro CC
DM Wrote:
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> Humm,
> I wonder if Avid is doing a slow draw on everyone.
> If the crossgrade is 995.00 plus a minimum
> hardware purchase of Matrox at roughly 600.00,
> then, they release version 6 for maybe another
> 600.00 upgrade fee, they just about have everybody
> paying the full price they always charge.
by walterbiscardi
- Café LA
hamaca Wrote:
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> If looked at lightworks at IBC, it´s a finishing
> system in my eyes!
> AVID will do the editing job for me! But the
> crossgrade to Premiere Pro is a good offer!
Both crossgrades, Avid and Adobe, are excellent offers right now. Remember you can download both of these apps for 30 days free of charge to t
by walterbiscardi
- Café LA
We're running an ethernet based shared storage system from Small Tree Communications that completely rocks. Right now we have 48TB shared with 6 primary edit workstations, 5 iMacs and my laptop.
The super cool thing about this system is it's much cheaper than Fibre Channel (in my case less than half the price of a similar configuration) and there's no software needed for the clients. If y
by walterbiscardi
- Café LA
comountainair Wrote:
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> I have fcp 4.5 but just got a new macbook pro
> 15.4inch 10.7.1. Do I want to get fcp 7? I
> understand that fcp x is awful. Is it forward
> compatible with 4.5? And my understanding is that
> fcp 5 and fcp six will not work on 10.7 is that
> true?
In my opinion spending $1000 on FCP 7 i
by walterbiscardi
- Café LA
Haven't heard much about the Supermeet yet, but here's a nice write up on the IBC in general in one of the other forums.
by walterbiscardi
- Café LA
If you can't trust your monitor, then you're missing half the point. The Scopes tell you if you're legal or not, and give you some great information on the image overall.
But the final look of the image is determined by the artist and the only way the artist can know for sure what the image looks like, is to see the image on a proper monitor. This is why we have Flanders Scientific monitor
by walterbiscardi
- Café LA
I see a new DVD in my future. Stop Staring Start Grading with Adobe SpeedGrade.....
by walterbiscardi
- Avid Media Composer
According to Scott Simmons (@editblog) it records in MXF
by walterbiscardi
- Avid Media Composer
AJA announced at IBC that the Ki Pro Mini will soon be able to record directly to the Avid DNxHD codec. Very nice move to open up the product to more codecs besides just being Apple centric.
And of course the DNxHD codec plays very nicely in Adobe Premiere Pro as well, so there's a nice alternative to the ProRes codec.
by walterbiscardi
- Avid Media Composer
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