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Show all posts by userYour basic troubleshooting forum for all things FCP Legacy (FCP 7 and below.) And general discussion on topics that do not fit in the other forums.
Not registered? Click HERE to register now Re: h264 potential nightmare - 10 years agoNick & Derek, thank you for your input. First off, I am not some noob here. I have been cutting for over 20 years, exclusively in FCP for 14 years. I have seen and done it all. Just want to get some more professional opinions before I conduct major surgery on a project. This is a mixed media nightmare project. I decided to stick with the h264 codec, because a majority of the work waby mohammed - Café LA Re: h264 potential nightmare - 10 years agoJust uploaded a 10 second test to vimeo, you're right. It's totally f-ed up.by mohammed - Café LA Re: h264 potential nightmare - 10 years agoSo are you suggesting that I put all of the original footage into compressor and convert it to pro-res 422. Then create a duplicate project and trick the project to relink to the converted media. Why would Apple make h264 an option in sequence settings if you can't edit with it? What a nightmare. What would happen if I finished the project as is?by mohammed - Café LA Re: Reducing Moire in Animated Stills - 10 years agoIt also could be an interlacing issue as you convert it to progressive. Change your sequence settings to match your output. I also have put a 1 pixel blur on stuff too to prevent this. I see moires all of the time on broadcast spots.by mohammed - Café LA h264 potential nightmare - 10 years agoHello, I inherited a project where the footage was already cut using the h264 codec. Apparently the shooter imported everything and married the picture to the audio, without using the log and capture tool. I am working in final cut pro 7.03. It is a mixed media nightmare with every possible codec and size known to man. For the sake of trying to streamline everything I decided to keep on builby mohammed - Café LA |
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