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Show all posts by userYour basic troubleshooting forum for all things FCP Legacy (FCP 7 and below.) And general discussion on topics that do not fit in the other forums.
Not registered? Click HERE to register now Re: WMV output and videos for the web - 17 years agoSorry - didn't finish reading Wayne's post before I posted. But at least I included the link...by Matthew Dillon - Café LA Re: WMV output and videos for the web - 17 years agoFlip4mac has a bug since QT 7.2 was released. Looks like they are working on a fix:by Matthew Dillon - Café LA Re: OT -- "timecodes"? or "timecode"? - 17 years agoOf all the fantastic discussions on this site, this one might be my favorite. - Mattby Matthew Dillon - Café LA Re: Open format timeline not working for DV and HD combined - 17 years agoAl - Your system drive is too full as well. (I'm just catching up on some old threads now -- Everyone else has probably moved on already). Mattby Matthew Dillon - Café LA Re: Mixed format workflow suggestions? - 17 years agoI think I may have left out a crucial bit: The piece I'm cutting is a montage that will open the reel, landing on a menu where individual (full length) clips can be accessed. The montage is short, I'm thinking 30 - 40 seconds. Basically, even if someone watching it doesn't get any farther than the opening montage, at least they'll see something. And, hopefully, that something will be compellinby Matthew Dillon - Café LA Mixed format workflow suggestions? - 17 years agoHi all. About to cut a reel together from projects that originated in a wide variety of formats. I have 4:3 full frame, 4:3 letterbox, 16:9 anamorphic, both NTSC and PAL to work with. Basically, the whole spectrum of standard def aspect ratios and standards. I've got slightly more NTSC than PAL footage, so I figured I'd do the cut in NTSC and make a PAL version later (I know I risk losing quaby Matthew Dillon - Café LA Re: FCP Editors get paid less than AVID editors for the same work..... - 17 years agoI guess I'm a PREDITOR, too - but hopefully in the good (Andy Field) sense, rather than in the not-so-good sense that Joe describes. Just as an example, for a recent project, I got a bunch of video from a class-A designer / editor. FCP/STP allowed me to create a soundtrack for these pieces that brought it all home. Was it as good as a fine and experienced Sound Designer using higher end hardby Matthew Dillon - Café LA Re: FCP Editors get paid less than AVID editors for the same work..... - 17 years agoJoey - That's exactly the thing I'd like to avoid (or, when I can't avoid it, that sends me googling for an interview with Walter Murch). I think we're on the same page, even if it's not the same *side* of the page. Anyway. This may speak to the relative size of markets. But then again, there's plenty of evidence in big ol' NYC to the contrary. A lot of the places I work in, or know aboby Matthew Dillon - Café LA Re: naming multiple clips - 17 years agoNick, I'll certainly defer to you on that. For someone who has to run the same renaming routine every day (multiple times?), no question. All I'm saying is that it's possible with a two-action Automator workflow. In my experience, on a G5 dual, it'll be done by the time you swivel over to the laptop to check your mail, for example. But it does take Automator a *(@%*&% of a long timby Matthew Dillon - Café LA Re: FCP Editors get paid less than AVID editors for the same work..... - 17 years agoJumping in here from another perspective: Around about the time that FCP really matured, AND there was hardware there to support it (Decklink, Aja, et al.), I had a conversation with a friend of mine who had recently started a post/DVD shop. He made two points, which I stilll think about today: 1. Now anybody can do this. We can undercut the big boys on price (in this case, monolithic NYby Matthew Dillon - Café LA Re: naming multiple clips - 17 years agoYou can create an Automator workflow to do this as well. I use this one all the time: 1. Get specified Finder items 2. Rename Finder Items - Within Rename, choose Make Sequential from the pulldown menu. It lets you use the existing name or choose a new one. Mattby Matthew Dillon - Café LA Re: OT: Automate Illustrator paths to P-shop layers - 17 years agoThanks, guys. John - I know about the Cow, and will probably try them as well. I just like you guys better. Loren - In Photoshop (CS3), the options I have under Import are Variable Data Sets Video Frames to Layers Anti-Aliased PICT PICT Resource Annotations ... the first and last of which are greyed out. There's nothing that obviously says "Illustrator" or "eps&quoby Matthew Dillon - Café LA OT: Automate Illustrator paths to P-shop layers - 17 years agoAnyone have ideas on the following: A client has delivered numerous Illustrator files that we have to convert, ultimately, to SD PAL video. The Illustrator files all consist of a single layer made up of "objects" and "paths" (What I know about Illustrator could be inscribed in 12 pt on the rim of a soda bottle -- halfway decent with Photoshop, though). The Illustrator filby Matthew Dillon - Café LA Re: NTSC? - 17 years agoIn order to provide an accurate answer, we will need some more info: - What are the current standard and region code? - What will the disc have to play on -- just computers? Or set-top players too? I'm guessing you'll want to convert to NTSC. However, a PAL disc will play on computers. Unlike you guys, most of our US DVD players only play NTSC, not both standards. If you want people toby Matthew Dillon - Café LA Re: OT:The interviews - Jobs and Gates - 17 years agoMichael Horton Wrote: ------------------------------------------------------- > Ah, but Surface IS Jeff Hans technology is it not? > If not, what a rip off. There is no mention of him in the "origins" section here:by Matthew Dillon - Café LA Re: Missing Disclosure Triangle in Browser - 17 years agoAndrew - FCE comes with: What's in the box ? DVDs containing Final Cut Express HD 3.5, LiveType 2, and Soundtrack 1.5 ? Printed and electronic documentation and tutorials So no Compressor. And it seems that you need to shell out the extra $30 for QT Pro. Pypo, Just for clarification, one of the things that Andrew's saying (in a much more thorough and detailed way than I did) is thby Matthew Dillon - Café LA Re: Missing Disclosure Triangle in Browser - 17 years agopypo Wrote: ------------------------------------------------------- > > I'm pulling the video into the Mac by removing the > 2 MB SD card from the camera and plugging it into > a USB port on the Mac. Then I just drag the MP4 > file from the SD card into the FCE Browser. > > Audio specifications on the camera is MPEG-4 audio > with AAC compression. Sampling rby Matthew Dillon - Café LA Re: M2v's crashing my computer! - 17 years agoWhat I'm thinking of is the QT MPEG 2 Playback component, available as an additional-cost download from Apple Not sure if this is included in FCP / FCS or if you have to buy it separately. I only remember buying it separately for a machine that did not have FCP installed. I'd be surprised if it was not included with with the Pro Apps. And once you install it, I'm not sure where the fiby Matthew Dillon - Café LA Re: M2v's crashing my computer! - 17 years agoM2V files do take a long time to preview in my experience, so that might be it. Alternatively, is it possible that just the QT MPEG2 components file is corrupt? (Since this seems to happen with any m2v, if I'm reading this correctly). Mattby Matthew Dillon - Café LA Re: Disable Offline Warning during Compressor export ? - 17 years agoJude - The options are "Reconnect" and "Continue". I had chosen Continue before, and FCP was definitely frightened. So I just tried Reconnect and then in the resulting dialog manually skipped all offline files. Not sure if this is what you meant by Ignore, but it doesn't work either. Nick - Sweet. I'll try that. Thanks both of you. MDby Matthew Dillon - Café LA Re: Disable Offline Warning during Compressor export ? - 17 years agoI just dumped a bunch of render files to free up some space. It's near the end of the project -- everything's delivered and I'm preparing for archiving. I just had to do a couple of quick fixes on a few clips. Obviously, I could re-render everything. Aside from being a time and space waster, I just don't think it's efficient. Most things in FCP are so much more elegant than this.by Matthew Dillon - Café LA Disable Offline Warning during Compressor export ? - 17 years agoHi all. I've been reading this forum for a long time, just registered today. I have a question, too: When I set a batch export via Compressor from an FCP project that has any offline media at all, a warning comes up (within FCP) that media is offline at the beginning of EVERY ENTRY in the batch. Kind of defeats the purpose of having a batch, doesn't it, if you have to sit there and monitby Matthew Dillon - Café LA |
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