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Re: Web-only mini-series, Episode #7 - 13 years agoEpisode #6 is getting to be popular:by MarkLeavenworth - Show and Tell Re: 2011 48 Hour Film Project (Philadelphia) Short Film - 13 years agoDid and didn't. You've completely advanced in the basic task...image composition and color. You're getting more from the actors (or else they are willing to give more). Thematically, the juxtaposition of the window with the woman playing the guitar to the twist of plot is something, giving a reflection on 'alternate' lives/choices, and what might have been in lives lost for any evil. But that alsby MarkLeavenworth - Show and Tell Re: 2011 48 Hour Film Project (Philadelphia) Short Film - 13 years agoWow, that was so much better than the last post! Is this seriously the same crew as the other PhillyFilmmaker post? Is this your current and honestly best effort? If so, I have more comments to make.by MarkLeavenworth - Show and Tell Re: Multiple Vignettes - 13 years agoYou can track multiple vignettes in color, one in each secondary room, but you can't export the tracking of any vignettes into FCP. That makes me think COLOR did not originate with Apple. But I'm new at this, so there's likely some other cause, reason and solution.by MarkLeavenworth - Color Re: Web-only mini-series, Episode #7 - 13 years agoActually, though, what I'm really testing is the web-cast and color capability of the $160 Camera.by MarkLeavenworth - Show and Tell Re: Web-only mini-series, Episode #7 - 13 years agoYou said it right, Derek. If there is ever to be any meaning in any art, it must be packaged in 99% entertainment value. Take a wood carving or painting. Convey the same meaning, the same theme, the same characters in a shoddy painting and you will find no such painting can survive. The irony is that entertainment value alone is widely received as meaningful. This is how we've arrived at having pby MarkLeavenworth - Show and Tell Re: Color Grades - 13 years agoI'm impressed with the range of 'color space' that I get from this little 'prosumer' H.264 camera, when the files are loaded into Apple ProRes422 or 10-bit uncompressed codec. Each provides a unique flexibility. The ProRes allows for altering hues/saturation, and the 10-bit provides for a color-filter effect. That's a lot of color space for under $200. I'm afraid I will have to be resolved to merby MarkLeavenworth - Color Re: Web-only mini-series, Episode #7 - 13 years agoThere's a lot of improvement between #7 and #8. It's only my first week with a Mac and FCP. I hope to get something worthwhile after a few months of this trial mini-series.by MarkLeavenworth - Show and Tell Re: OT -This is why you make sure to Lock Down your HDCam - 13 years agoNice work.by MarkLeavenworth - Show and Tell Re: Color Grades - 13 years agoThanks, Victor, that's exactly the kind of information I have been looking for. I am only a week into this technology, using a new Mac and a Kodak Zi8. The format is supposed to be 1080p, but maybe that's not accurate when it comes to color information. The filtering tip clues me in better to the reality of the link between camera lense and information that becomes valuable in COLOR.by MarkLeavenworth - Color Color Grades - 13 years agoWhat's the approximate ratio between quality of camera and quality of file type transferred into COLOR, in terms of importance to providing color information for accurate grading? Say, on a scale of 10, where 10 is hugely important, and 1 is not very important?by MarkLeavenworth - Color Multiple Vignettes - 13 years agoWhat is the solution for tracking multiple, color corrected, vignettes that can be rendered?by MarkLeavenworth - Color |
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