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Your basic troubleshooting and discussion forum for all things Final Cut Pro X. If you are having issues with FCP 7 and below, post it in Cafe LA.
Re: Multicam sync method - Strypes? - 8 years ago
Uncheck the "insert sequence as nest" or what I refer to as the "KEM roll" button. That is the exact opposite of what I mentioned in point 10.by strypes - Adobe Premiere Pro CC
Re: Project Manager CC 2015 - Trim? - 8 years ago
Prores is smart rendered, so "transcoding" is similar to trim.by strypes - Adobe Premiere Pro CC
Re: Not Sure Why ProRes Requires Render - 9 years ago
Any effects applied to the clips after you put it in the timeline?by strypes - Café LA
Re: New member Repost - Red Workflow - 9 years ago
You can use the Resolve to generate the rushes. I believe the free DaVinci now let's you work in higher than 4k. Fcp works with 4k but it's slow. Premiere is faster with 4k. Or you can try fcpx.by strypes - Café LA
Re: Bad news for Matrox MX02 users! - 9 years ago
Their product line was a bit stagnant. Do they have a thunderbolt monitoring solution? BMD and AJA have already been selling their ThB monitoring products for years. Moreover, I actually think that this 3rd party intermediary monitoring solution would be a thing of the past once we get managed color spaces.by strypes - Adobe Premiere Pro CC
Re: Dupe frames when ripping VOB file from DVD - 9 years ago
Sounds like a frame rate mismatch if it is not present in the source. Check frame rate settings in transcoder.by strypes - Café LA
Re: 4K in FCP7 ? - 9 years ago
I'm with Nick on it. Real time playback of effects are not there and the render time is much greater. No point cutting 4k in fcp7. I'll go with a more modern NLE.by strypes - Café LA
Re: Paste attributes not working on custom sequence - 9 years ago
That's CS6 so my memory of that can be a bit hazy. I think you can copy and paste attributes just that the dialog box doesn't show up.by strypes - Adobe Premiere Pro CC
Re: DSLR footage - Master export to Pro Res or Pro Res HQ? - 9 years ago
Exporting directly to your final delivery eg. Mp4 should result in higher quality output since there isn't any loss when converting to an intermediate format. But prores is designed as a high quality intermediate codec so you're unlikely to spot much of a difference. I'll go with prores hq (and I usually use that as an intermediate to/from grading), but for your purpose, you're unlikely to spby strypes - Adobe Premiere Pro CC
Re: Syncing Dual System Audio in Premiere - tutorial - 9 years ago
Ripple next/previous edits to playhead? What issues are you having?by strypes - Adobe Premiere Pro CC
Re: 2.5inch Raids & 4k - 9 years ago
Nope. There are no thunderbolt PCIe cards. You can get a Usb3 card, though. Edit: Not for the Mac. But HP... I haven't tried this yet though. And seems like it only works on specific HP models.by strypes - Café LA
Re: Too many tracks! - what to do - 9 years ago
You can try this: 1. Drag them all into a timeline. 2. Delete tracks 5 to 8. 3. Hold option and drag them into a new bin. That should create new master clips. You can now delete the oregional master clips in the project.by strypes - Café LA
Re: matching to multiclip brings up video without audio - 9 years ago
Is the audio part of the multiclip? There is a separate command to match frame to a multi clip. Also, there is a reveal master multi clip command.by strypes - Café LA
Re: Starting new project, should I jump to FCPX or stick with 7? - 9 years ago
>it still took almost 10 minutes for a 45 second sequence. Either you are working with RAW formats or you are doing a lot of effects work, or your machine is seriously under performing. If you can let us know your machine specs and the effects you are using so we can try to find a bottleneck for the exploded render times you are seeing. On a decent system, I would expect exporting to beby strypes - Café LA
Re: Dead Mac: any converters from fcp 6 to premiere - 9 years ago
I recall being told that Cat DV being able to open an fcp7 project file during NAB last year, but I can't find a link that says that, but even if it does, I think getting a laptop with fcp7 is cheaper and easier.by strypes - Café LA
Re: 24p BluRay - 10 years ago
I don't know that much about Blu Ray. It should support 24 fps. I am guessing PAL would be the option, since 24 fps in the NTSC world is 23.976. The issue is if there is an analog conversion. Then the signal needs to be 50i. Then the pull down would be a different one from what you'll expect.by strypes - Café LA
Re: Upgrading from 10.6.8 to use USB 3.0 expansion. Risks? Reccomendations? - 10 years ago
Mavericks hasn't been much of an issue, but for what I know, Mountain Lion was extremely stable with fcp7.by strypes - Café LA
Re: AVID MC5 to Premiere CS6 - 10 years ago
Noticed you are using Premiere Pro CS6. That is a little bit sticky because Premiere back then didn't support Avid Media (op atom MXF). What I did back then was edit QTs in AMA media and then export an AAF and Premiere was happy.by strypes - Adobe Premiere Pro CC
Re: AVID MC5 to Premiere CS6 - 10 years ago
Premiere Pro CC will support Avid DNxHD files directly so what you should do is consolidate transcode the sequence to DNXHD and import the AAF file.by strypes - Adobe Premiere Pro CC
Re: Premiere Pro and RED - 10 years ago
Trying it out right now. It seems to behave as expected with spanned clips appearing in folders with clip content duplicated due to them being spanned clips.by strypes - Adobe Premiere Pro CC
Re: Premiere Pro and RED - 10 years ago
I could be wrong about it though... I just tried it and it seem that RED gets imported with the RDC folder intact, but I don't have any spanned RED clips on hand at the moment.by strypes - Adobe Premiere Pro CC
Re: Premiere Pro and RED - 10 years ago
Those clips should be spanned duplicates, so if you look in the duration column, all instances of the spanned clips have the same duration.by strypes - Adobe Premiere Pro CC
Re: Premiere Pro and RED - 10 years ago
You should be able to drag multiple red folders from the media browser.by strypes - Adobe Premiere Pro CC
Re: Canon Mark III footage in Premiere Transcode or not - 10 years ago
Premiere with the built in audio synchronisation function. Put audio and video in the same bin, select them, right click and choose "create multicamera source sequence". Then choose to sync by audio and select "camera 1" if you are working with dual system sound.by strypes - Adobe Premiere Pro CC
Re: Canon Mark III footage in Premiere Transcode or not - 10 years ago
>Traditionally, you sync the audio and video, and >create a merged clip. I would suggest putting the audio and video in the same bin and use the "create multicam sequence function". That provides significant workflow benefits over using merged clips.by strypes - Adobe Premiere Pro CC
Re: Canon Mark III footage in Premiere Transcode or not - 10 years ago
You should be fine without transcoding. The Canon h.264 files cut like butter.by strypes - Adobe Premiere Pro CC
Re: opening project files with both CC and CS6 installed - 10 years ago
I've only used "always open with" for short durations, but is there any reason you don't want to upgrade the project file structure? Another way is to launch the app and open the project from the recent project list. That is kind of how Avid editors tend to work. Not better, just different.by strypes - Adobe Premiere Pro CC
