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Your basic troubleshooting and discussion forum for all things about Adobe Premiere Pro CC.
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Re: DVCPro HD Offline workflow question - 12 years ago
AJA system tool usually shows me about 144 MB/s read/write using DVCPro HD 1080i60 set to write a 512 MB file. I think our array is striped as RAID 1. It's a total of 16TB mirrored. Here's the read out from AJA System Test: I/O Transactions Frame MB/sec Read Write 00.0 209.7 142.3 01.0 197.0 195.4 02.0by chrismrash - Café LA
Re: DVCPro HD Offline workflow question - 12 years ago
It's possible that the issue lies with what's in the sequences in addition to the multiclips (ie. gfx, text, etc.). There are two AE stations in addition to the two editors. I can't imagine what would be wrong about our SAN setup. Here's a screenshot of the capture preset I created:by chrismrash - Café LA
DVCPro HD Offline workflow question - 12 years ago
So I'm doing a little experiment, but before I get too deep into the work, I wanted to poll the group to see if there's any reason not to do this. Here's the setup: I'm post supervising a game show and up until now we've been bringing in our DVCPro HD 1080i60 footage at full res and cutting full res. The show shoots 6 ISOs, a line cut and a clean line cut. Our editors want the AE's to mulby chrismrash - Café LA
Re: DVCPro HD - Long Play comparable to Standard Play? - 12 years ago
Luckily we'll be recording the 6 isos as well, so if there's an issue with the Line Cut, we'll have the iso to go back to. If we start getting too many dropouts after the first couple days, we'll just have to bite the bullet and buy more stock. Thanks guys!by chrismrash - Café LA
DVCPro HD - Long Play comparable to Standard Play? - 12 years ago
We're about to start production on a game show, which will air on one of the Discovery networks. In order to save money on tape stock, one of the technical managers at the stage recommended to us that we use the Long Play setting on our 1200A. He said that there wouldn't be a noticeable difference between LP and SP modes. The plan is to record our Line Cut in both LP and SP (using two decks) fby chrismrash - Café LA
Re: Offline RT from HDV footage - 12 years ago
strypes Wrote: ------------------------------------------------------- > Pop it into Compressor, select a destination and > make sure it is named exactly as your original HDV > clips. Then reconnect to the Offline RT clips and > you're done. When the edit is completed, hook it > back up to the original HDV rushes and reconnect. > > > I'm really not sure why youby chrismrash - Café LA
Anyone ever run Final Cut or Compressor on a Hackintosh? - 12 years ago
I've been thinking about trying to build a hackintosh, but there's no point in spending the money if I can't run the applications I use most often.by chrismrash - Café LA
Re: Multicam Scale & Rotation don'[t hold - 13 years ago
You might want to consider changing the parameters of the original clips before creating the multiclip.by chrismrash - Café LA
Re: FCP Render Times - Creating shared computing - 13 years ago
Steve Douglas Wrote: ------------------------------------------------------- > I had that problem several times when using mixed > formats in the same sequence. Now, I just take > everything in the browser and do a batch export > as pro res. I bring in the exported pro res > clips, dump the originals and now I can work with > them without those long HDV conforming issuby chrismrash - Café LA
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