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Show all posts by userYour basic troubleshooting and discussion forum for all things about Adobe Premiere Pro CC.
Re: on-set audio recorded too low, raising volume = hiss - 9 years agoNot sure about within FCP (maybe a high/low pass filter or EQ?), I've used noise reduction in Soundtrack Pro and Audition before, it helps a little but if you go too much it makes the voice sound weird. Low audio is a nasty problem, I'd love to hear others solution to this.by Joe Riggs - Café LA Re: Finishing in Premiere - 9 years agoHey Jude, Thanks, like you I always hit queue because I too find it faster than a straight export from premiere. I just have to assume it's something with Colorista, I managed to export it with it and not get the glitch but just frustrating because sometimes it's there and sometimes not. making a master to pro res is not a bad idea.by Joe Riggs - Adobe Premiere Pro CC Re: Finishing in Premiere - 9 years agoI'm getting a glitch in my final export, there seems to be no rhyme or reason as to why, out of 8 exports it appears sometimes and sometimes not. It's this white and green line across the top of the frame for a couple seconds, and it hapens right after a fade from black. Source footage: Red files, effect colorista (it may have something to do with colorista but why would it happenby Joe Riggs - Adobe Premiere Pro CC Re: Premiere CC questions - 9 years agoI just prefer to edit with actual clips rather than sequences. I also prefer plural eyes to premiere's sync feature. i do like that the CC project file sizes don't blow up with RED footage like in CS6.by Joe Riggs - Adobe Premiere Pro CC Re: Premiere CC questions - 9 years agoThanks Strypes, For future projects that is an option, I prefer merge clips though as there's a certain way I like to work, separating clips into bins, I guess I could sort the multicam sequences into bins instead but Premiere really needs to fix this merge clip issue.by Joe Riggs - Adobe Premiere Pro CC Re: Finishing in Premiere - 9 years agoI have my files separated in bins, when I do select all, source settings is grayed out, When I try to select all clips just in a bin, source settings is grayed out when I select a merged R3D clip, source settings is grayed out, when I select just an r3d file source settings is there. I don't think CC like me...by Joe Riggs - Adobe Premiere Pro CC Re: Finishing in Premiere - 9 years ago. How do I batch lower the debayer settings for all clips? I'm also noticing that most of my clips have source settings grayed out in the project window but not in the time line....maybe another merged clip issue.by Joe Riggs - Adobe Premiere Pro CC Re: Premiere CC questions - 9 years agoThe in and out markers aren't off by the same amount as the sync indicators This seems to be a known issue with merge clips, no one else experiencing this working on projects using double system sound?by Joe Riggs - Adobe Premiere Pro CC Re: Premiere CC questions - 9 years agoRegarding Match frame, I'm running into the following issues on CC 7.2.1, it seems to be only affecting merged clips: A. It displays the correct frame but incorrect in and out points. B. It displays the correct frame but NO in and out points. In the images you can see CC is also marking these clips as out of sync, they're actually in sync so I'm not sure what's going on tby Joe Riggs - Adobe Premiere Pro CC Re: Premiere CC questions - 9 years agoAlways count on Strypes, thank you.by Joe Riggs - Adobe Premiere Pro CC Premiere CC questions - 9 years agoThis is going to be my thread of questions related to CC. 1. Is there a short cut for moving clips up and down between tracks ala FCP7? if you have to set it up mnually what's the command called in the keyboard shortcuts window? 2. Is there a way to change the timecode on a sequence timeline, so for example you want it to start at 00:01:00:00, instead of 00:00:00:00? In FCP7 you just go toby Joe Riggs - Adobe Premiere Pro CC Good commentary tracks/interviews with Editors - 9 years agoHello, Editing is such a vital part of the film making process, any recommendations for GOOD commentary tracks with editors? Often times, when an editor is featured on a commentary they barely get a chance to talk, because the director hogs the mic or they are part of a 10 participant commentary, however, please recommend any tracks and even interviews featuring editors that you found enlby Joe Riggs - Café LA Re: Extracting a bunch of audio tracks - 9 years agoIf AAF has no file limit, why do most post sound people request omf?by Joe Riggs - Café LA Re: Finishing in Premiere - 9 years agoCan you batch lower the debayer settings? Doing them one by one would not be worth it. I have the GTX 680MX 2gigs of Ram, not the fastest but okay. So is it a no to the render then use previews with RED footage?by Joe Riggs - Adobe Premiere Pro CC Re: Finishing in Premiere - 10 years agoQuote- Rendering. I rendered preview files to ProRes in Premiere because I needed to deliver ProRes QTs. This also lets me QC the final render. Premiere remembers the preview files very well, so I only needed to render my grade once and copied and pasted the grade into the different versions. I checked "Use Previews" to smart render to my final output. Sent the whole lot to queue in AMEby Joe Riggs - Adobe Premiere Pro CC Re: Warp stabilizer vs smooth cam - 10 years agoLoved smooth cam but hated having to export sections of the longer clip, bring it back in, etc.. good to know thanksby Joe Riggs - Adobe Premiere Pro CC Wrong roll # - 10 years agoHi, So I received some footage with a duplicate roll number, they accidentally labeled the mag in camera to roll 20 which we already shot. What is the best way to change the roll number afterwards? Renaming the files? I just want the files to be A021 instead of A020. Thanksby Joe Riggs - Café LA Warp stabilizer vs smooth cam - 10 years agoIf you have a section of a longer clip in your edit that you want to stabilize, do you need to export it then put it back in your timeline so warp stabilizer will only analyze that section? That was the workflow with smooth cam, otherwise it would analyze the entire take and not stabilize correctly.by Joe Riggs - Adobe Premiere Pro CC Re: Questions for the Director - 10 years agoHi WM, I'd be curious to hear your thoughts on Sally Menke vs Fred Raskin, Tarantino's other work vs. Django, what makes Menke's work superior? I don't know if you saw Deathproof, which was edited by Menke but I didn't care for that film and it's Tarantino's worst in my opinion. Maybe a better comparison is Inglorious Bastards vs. Django?by Joe Riggs - Café LA Re: Navigate between markers on an acutal clip in CS6? - 10 years agoyou can't in cs6, they removed that feature apparently just for cs6, it's in cs5 and cc.by Joe Riggs - Adobe Premiere Pro CC Questions for the Director - 10 years agoHi, Instead of just jumping into cutting a scene, I'd like to talk to the director about each scene and get a sense of what he wants. So what are some good questions to get a director to answer about a scene that will help the editor? What's most important about this scene? Having a brain fart right now so unfortunately that's all I can come up withby Joe Riggs - Café LA Navigate between markers on an acutal clip in CS6? - 10 years agoIn CS6, is it possible to navigate between clip markers in the timeline? I'm talking about markers placed on actual clips, not markers placed on the sequence timeline. I'd like to have a shortcut to navigate between clip markers but that shortcut seems to only work on markers placed on the sequences timeline, not on the clip. Yes, you can open the clip in the source monitor, then jump tby Joe Riggs - Adobe Premiere Pro CC Re: DPX files vs. Other formats - 10 years agoI see, I'd basically like to understand the industry standard, abide by that, and deviate when it makes sense to. So my understanding is they would typically deliver DPX files back to the online editor. Then, he/she would put that sequence in Resolve or another program and export it to Pro Res 4444? If that's the case seems like an extra step with the PR4444 export, but I guess it's gooby Joe Riggs - Café LA Re: Premiere - Best workflow for setting scratch discs? - 10 years agoQuoteit seems to want to rebuild every time you open a project on a new workstation. Yep, and if you're working on multiple projects it's a nightmare, unless you set it to one place and keep it there for all projects. How bad is it to have your Media cache/scratch discs on the boot drive? I might just get a dedicated external drive, call it Premiere cache or scratch and direct all projeby Joe Riggs - Adobe Premiere Pro CC Re: Weird Premiere project issue - 10 years agoI honestly don't know what was the deal with that one project file, as I said that same project file works fine in CC. What I ended up doing was importing the entire problematic project file into a new CS6 project, that seemed to do it, didn't lose work and since I'm on a new project file, I'm no longer experiencing the above issues. I'll give memory clean a shot, I'd like to give my whoby Joe Riggs - Adobe Premiere Pro CC Battery backup - 10 years agoI have an Imac and three external drives I want to keep protected. Please recommend a battery backup. Something like this perhaps? It's kind of a drag the outlets are close together because some drive power supplies will block a port. Thank youby Joe Riggs - Café LA DPX files vs. Other formats - 10 years agoHello, I'm primarily dealing with RED footage converted to pro res. I know a lot of post colorists/vfx request or deliver DPX files. Pardon my ignorance but why is it better than Pro Res 4444? If you get DPX files, can you use them in FCP7? The last thing I did, I requested they deliver Pro Res 4444, but should I be asking for DPX? Thanksby Joe Riggs - Café LA Premiere - Best workflow for setting scratch discs? - 10 years agoI often work off external drives, one per project. So I'll keep everything on that drive, project file, media files, scratch discs. So when I hand it back to the client it's all there. With FCP7, it was pretty easy, if a scratch disc was missing, you could change it before the project would fully open. However, with Premiere, if you set your scratch drive as described above, and you're workby Joe Riggs - Adobe Premiere Pro CC Weird Premiere project issue - 10 years agoWorking off of an external usb3 drive with 5K RED footage (I often work off externals for clients so I keep everything on the drive). I'm just trying to sync and organize them currently and there's probably close to 1000 files total. Suddenly, CS6 slows down and I get the beach ball when performing certain processes such as: Duplicating a sequence Renaming a bin Dropping a mby Joe Riggs - Adobe Premiere Pro CC |
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