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Your basic troubleshooting and discussion forum for all things about Adobe Premiere Pro CC.
Jude, I also counseled Avid editors to do the same!
It's good to switch over to the Adobe ones since they cross over a bit into After Effects-land. That being said, my FCP keyboard shortcuts do have some "mission creep" into Premiere Pro. There aren't as many permanent shortcuts as there are in FCP, so you have to assign many of them. May as well assign them to FCP shortcuts as much
by Kevin Monahan
- Adobe Premiere Pro CC
Hi Guys,
When I first came to Adobe about a year ago, I wanted to know more about using keyboard shortcuts with Premiere Pro, so I recorded a video with Karl Soule (evangelist for Premiere Pro). Check it out: Shortcut Keys in Premiere Pro from a FCP editor's perspective
More on changes to keyboard shortcuts in Premiere Pro CS5.5
More videos on Premiere Pro for FCP editors by Kevin Monahan an
by Kevin Monahan
- Adobe Premiere Pro CC
By the way. Premiere Pro CS5.5.1 came out and one of the fixes is XML interchange with DaVinci Resolve! More:
by Kevin Monahan
- Avid Media Composer
YES! We acquired IRIDAS. You'll soon see some excellent solutions for color correction!
by Kevin Monahan
- Avid Media Composer
Sure. Feel free to post your questions or bring them to our official user-to-user forum at Adobe:
by Kevin Monahan
- Adobe Premiere Pro CC
Thanks for the kudos guys. This is really great news for us at Adobe. More info to come on this. For now, check out this blog post:
by Kevin Monahan
- Adobe Premiere Pro CC
Are you new to Premiere Pro? Are you coming from another NLE, like the Avid Media Composer or Apple Final Cut Pro? If you need some help to get you up to speed quickly then check out the following blog post entitled, "Premiere Pro overview documents for Final Cut Pro and Avid Media Composer users." Here, you'll find helpful primers, video tutorials, blog posts and articles related to mo
by Kevin Monahan
- Adobe Premiere Pro CC
Jude, keep in mind that FCP was in the same situation regarding not being accepted as a professional tool at one time. Premiere Pro has a similar problem, but that is changing rapidly as I hear of more and more post houses and professional television entities going with Creative Suite and Premiere Pro. I'd say, be ready with Premiere Pro chops as soon those skills are going to be very marketable.
by Kevin Monahan
- Avid Media Composer
We're working hard to address concerns about a "busy interface" in upcoming releases. I think we'll be addressing your concern soon Jude.
by Kevin Monahan
- Avid Media Composer
Not true, you can set your playback resolution to Full, 1/2, 1/4 or even less depending on the footage. Right-click on the Program monitor (Canvas) and make sure it is set to full. Have them check that.
The lower playback resolution is rather like setting Unlimited RT to High, Med or Low quality.
by Kevin Monahan
- Adobe Premiere Pro CC
Wazzzup?
by Kevin Monahan
- Café LA
We're working hard on Premiere Pro's color correction tools. We're also working on a smooth workflow with Resolve coming up, as well.
BTW, Premiere Pro CS5.5 is really stable, all our veteran customers are saying so. Walter said earlier that he has a large project going, so it is possible, whereas in CS4 and earlier - not so much.
Premiere Pro CS5.5 is a beast compared with anything before
by Kevin Monahan
- Avid Media Composer
grafixjoe Wrote:
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> I will use FCP 7 until it won't boot anymore.
That's what Matt Sliverman used to say about Commotion. I don't think he uses it any more.
by Kevin Monahan
- Café LA
Not long ago, I wrote a blog post for Getting Started with Editing in Premiere Pro. Check it out here:
I like the training from Learn by Video:
by Kevin Monahan
- Adobe Premiere Pro CC
You don't need an expensive video card to run Production Premium CS5.5 applications. In Premiere Pro, the Mercury Playback Engine will work in software mode just fine. Of course, it helps editing workflow to have a qualified NVIDIA card installed. Many things, especially effects, become accelerated.
Yes, Encore only comes with Premiere Pro standalone or as part of Production Premium and Master
by Kevin Monahan
- Adobe Premiere Pro CC
Just use Media Encoder. It's way faster than Compressor as it's 64bit and uses all cores without setting up a cluster. Easy to use too.
by Kevin Monahan
- Café LA
The Warp Stabilizer will smooth out your footage and remove rolling shutter artifacts in Adobe After Effects CS5.5. You can get a 30 day free trial to check it out!
Grab Production Premium here:
by Kevin Monahan
- Café LA
Video Symphony is one of the best schools, for sure. A bit biased, as I taught and was a student there going back to the 90's. High quality instructors too. I taught along with Larry Jordan and Christine Steele. You can't do better than that!
by Kevin Monahan
- Café LA
Hi Alex,
FXPlug plug-ins are what I'm talking about. I don't expect FXScript support to be supported.
by Kevin Monahan
- Café LA - X
No one's brought this up: plug-ins will no doubt need to be updated to work in a 64bit application. None of your current plug-ins will work as FCP 7 is a 32 bit application with 32-bit plug-ins.
When Premiere Pro and After Effects CS5 came out, everyone had to upgrade their plug-ins. This can be an expensive proposition, so get ready to get out the credit card.
by Kevin Monahan
- Café LA - X
Sprocketz Wrote:
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> Wow, what a waste of time. Sorry I followed that
> link.
> Looks like the "Elaine Montoya" blog is written by
> Adobe marketing people.
> Full of inaccuracies, over-enthusiastic hype.
> Entry after entry praising Adobe products.
That is Elaine Montoya's blog. She's an Adobe Certified
by Kevin Monahan
- Café LA - X
Whoa! My workshop is full already? Dang, I'd better bring the noise!
by Kevin Monahan
- Café LA
I add all these formats and frame sizes to a HD timeline and do not render. I then Export > Media to Adobe Media Encoder which makes me a H.264 file. I didn't render before exporting, the encode takes care of all the filters, scaling, etc. during the encode.
It's the same in FCP when exporting without rendering via Compressor, isn't it?
by Kevin Monahan
- Café LA
Ben, you don't have to render unless you're going out to tape. You don't need to render when exporting and encoding digital files, which is what most of us do, usually.
by Kevin Monahan
- Café LA
You guys should get a kick out of this one (language warning)
Keep in mind with Adobe Premiere Pro CS5, you don't need to transcode to ProRes?just start cuttin'! ;-)
by Kevin Monahan
- Café LA
How ya like that?
More tutorials to come, but I'm afraid there will be a small charge to view them. Stay tuned!
by Kevin Monahan
- Café LA
I have used Share many times to create a BR disc. You are right, you have to know Quartz Composer to do any customization, as well as, learn the protocol with Apple's doc to create templates.
If you want more options for Blu-ray Templates, check out the package of 60 additional templates that I created:
by Kevin Monahan
- Café LA
I have an OWC external with FW800. Works great.
by Kevin Monahan
- Café LA
I use Screenflow. My buds in 'Tino use iShowU but I don't like it.
by Kevin Monahan
- Café LA
Slo-mo it. If it's too obvious, lose the shot.
by Kevin Monahan
- Café LA
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