Whether you're a Final Cut editor looking to polish an offline or a colorist looking for a less expensive color-correction interface, I can help. From the Setup Room to the Render Queue, learn about the workflow, the scopes, the differences between Primary and Secondary color-correction, Color FX, masks, tracking and, most importantly, how to prepare your timeline for a successful roundtrip back to Final Cut.
Let me demystify Color for you and show you how easy it is.

Contact:
Nate Hubbard
Cell: 310-345-1301
Email: natehubz@mac.com

CLOSE WINDOW