<<<And all that.>>>
Do the three of us count as high enough frequency?
I am disappointed with Compressor (once again, this time for different reasons). I'm struggling with the PAL > NTSC settings for a commercial we are producing. I pushed it through Nattress and it looks OK. The commercial has an odd problem in that the commercial itself was intentionally shot progressive to get that harsh, jittery look--even more pronounced in PAL.
Then, at the very end, apparently we put a tag in the last two clips that was perfectly and fully interlaced. In PAL, it looks crisp and smooth as only a Flame can do. In the conversion, however, it turns to garbage made worse by having everything up to that point look very good.
We used to own a full-on television standards converter. An ADAC with 11 vent fans and it took three of us to lift it. It had options that nobody ever touched except occasionally, make the video a little louder.
Compressor is supposed to work like that. Crank all the motion prediction and quality options all the way up and leave them like that. Bingo. One slow Alchemist.
Well, no. It turns out that may not be such a good idea. See Jude's information.
Didn't
anybody design this product?
Koz