I hope this is not too off topic to annoy, but I'm sure many of you have a quick and easy answer for me.
I have just finished mastering my film on HD at 23.98 and my deliverables requirement is to provide a drop frame time code DigiBeta cam for broadcast.
SOP for mastering to Warner Bros. specs require 30 sec black, 1 minute bars and tone, 10 sec black, 10 sec slate, 10 sec black, first frame of action.
If I check the drop frame time code check box in the time line starts at 00:58:00:02 because 58:00:00 does not exist in dftc. I can cut my seq by a couple of frames no harm done, but my bars and slates and first frame of action do not start precisely on the time code frames the are supposed to because I have too many frames to fit into that time code. Do I line up my first frame of action to 01:00:00:00 and let my leader slip down to first frame of action and then slip up for the rest of the program or do i pull the extra frames out of the leader, or do I just let is fun from 00:58:00:02 and lets the damn 4 four frames fall where they may?
(I say "slip" in reference to the dftc against true frame count of ndftc. No need to explain dftc to me, I know it well.)
Anal? Yes. But single frame precision is the would we work in.
- Jackson
UPDATE: The reason I ask is I render out a QT of the HD Master SQ to a 29.97 file, then drop a TC Reader filter on it to include a viz window for the Closed Captioning and Transcription folks. TC Reader reads the clip time code, not the Sequence time code. Quicktime Conversion nor Compressor have a non-drop vs. drop-frame time code setting. Your QT automatically is non-drop. I want to avoid the extra step of having to put the clip in a drop-frame sequence and output yet again to make it drop-frame.