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My provided clips from the locked cut are H264 (I know it's not good for editing, not my choice though) 29.97 fps NTSC. Original footage is at 24, and my clips have visible interlacing and frame blending as a result of the frame rate conversion.
We are doing a similar frame rate conversion in house to our shots, with the same interlaced blended frames. When I bring clips into my timeline, I can still see this blending, but when i export it is removed and I'm left with a pull down resulting in a held frame every 4. How can I stop this from happening? I need to deliver DVCPro NTSC 29.97 interlaced quicktimes. Any thoughts?
<<<Is this an inherent trait with DVCPro?>>>
This is where somebody else drops in and straightens this all out. I have no idea. I do know when you start crossing formats that inherently support "television fields" with those that don't, some very entertaining things happen in pulldown land. 3:2 pulldown is only supported in the interlaced formats. That's complicated enough, but what happens to a show like mine which is 720p60 when I convert it to NTSC? This HiDef format clearly has enough video to go around, sixty complete frames every second, but also clearly, is not interlaced... Koz
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