I'm wondering now if it might be related to long master clips. We've digitized a lot of our material as long single clips - ie: digitized a whole source tape as one clip -then break it down into subclips. I then log and name the subclips. Organize the subclips into bins according to content and pull sections from the subclips to edit into my sequence.
I'm wondering if the slo mo problems arise b/c FCP is poorly structured in a way that it has to reference and process the whole long master clip when you apply slo-mo fx to sections of the sub-clip . If FCP has to jig the numbers for a 30 or 40 min clip each time you put an effect onto a small section of a subclip then I can see that being problematic.
Unfortunately, using the media manager to change my sub-clips to master clips hasn't seemed to solved the problem.
I'm stumped. But just in case I will avoid digitizing long clips for my next episode. The amount of time this has cost me is phenomenal.
It sucks ass!!