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Show all posts by userYour basic troubleshooting forum for all things FCP Legacy (FCP 7 and below.) And general discussion on topics that do not fit in the other forums.
Not registered? Click HERE to register now Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoFYI My delivery specs are Delivery Media (Tapes) CBC/Radio-Canada requires that the HD material be provided on Sony Hdcam SRTM videotape. Delivery of any program on a medium other than Hdcam SRTM shall have to be approved beforehand by CBC/Radio-Canada, shall be submitted two weeks before the planned delivery date, and shall be transferred to Hdcam SRTM format by CBC/Radiby rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoAny noticeable difference when watching your intercut varicam & HVX200 footage when broadcast on television? If I am shooting on the HVX 200 it seems that I have 2 chief considerations to look for in tests progressive versus interlaced and 1080 versus 720. Intuitively I am drawn towards progressive and 1080. Is progressive 'better' or just more like film hence a shutter-type feel to theby rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoMy broadcaster is French-language CBC or Radio-Canada. The DVCPRO HD upconverted to HDCAM 1080p 23.98 sounds good. Does the Kona 2 card do this? Does the camera make any difference for this one and only deliverable the camera is a HVX-200. As far as frame rate am I right in assuming 59.94p is more than twice the quality (and therefore quantity) of 23.98p? This deliverable is broadcasby rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoI understand. So if i captured and editied in 720p DVCPRO HD how much Gig would be required to hold an hour of material? Also is the broadcast deliverable to HDCAM uncompressed? Or is DVCPRO HD a broadcast quality resolution? I will of course ask my broadcaster but if you can provide a heads up that would be great.by rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoI think i am miusing terms. Why DV NTSC for offline? My editors like to use Sony PVMs to view their edited materials but i just found out that i can use the Kona2 card to edit in DVCPRO HD and send a downcoverted component feed to my SD monitors. I am cominf to the realization that compartively low data rate of DVCPRO HD will allow me to stay in the same codec we shot in. All round good newsby rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoNo HD yet first HD scheduled May 2007. Just putting together the workflow. Camera HVX-200 Firestore 100 (3) Daily Storage SATAII 500g Hitachi Burly Sata/FW 2Bay enclosure Raid 1 Editing MacBookPro 2.16G, G5 Dual 2.3 / G4 Dual 1.8 / G4 Dual 1.25 (mainly Protools and Mix suite) FCPSt 5.1.4 / Creative Suite 2 / Protools 7.0 / Digi 002 / (1)Burly Box 8Bay 4Tera / (3) Burly Box 2Bay 1Tera eachby rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoHi I had no intention of offling in 1080i. I was intending to offline in dvres (which in my mind is smaller than 720p). Is there a specific reason you are suggesting 720p? To me it seems unnecessarily large for offline purposes unless there are advantages/limitations I am unaware of. My other related issue is in tapeless acquisition (as opposed to tape acquisition) can you downconvert andby rickatshoot - Café LA Re: shooting HD 1080 24p/but interlacing (60i) coming back in with the DVCPro HD codec? - 17 years agoHi, I am new to this group and am interested to know your further thoughts on why DVCPRO HD is considered the perfect codec to offline edit. We have been offlining SD at DV Res and then re-batch capture at 10bit SDI for our online post. Our series (13x26) has just been renewed and will be our first HD deliverable. I figured we would record DVCPRO HD 1080i and while storing the original mediby rickatshoot - Café LA Re: POLL : Do Lacies Actually Suck Or Not? - 17 years agoHi, After offlining two one hour shows on internal Pata drives and using Lacie 250g D2's (about 8) for backups and tranport to post-prod facilities etc we moved to SATAII in Burly Boxes (hot swap). For what its worth we couldn't move away from the lacies fast enough. The external power adapters are a royal pain, we found them problematic to mount, and had a Terabyte Bigger Disk burn up (actuby rickatshoot - Café LA |
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