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also the Primatte Filter in Motion is good - as well as After Effects -- but the key is more in the shooting than the filter -- even flat green screen light -- isolating talent from green screen with a minus green back light filter -- keeping proper distance between Green screen and talent to reduce spill - and shooting with enough color information to pull a good matte from the green screen (DV is tough - that's where DV Garage helps by smoothing out swiss cheese holes in green color information in the DV color compression - Beta SP or something less compressed is better to shoot as raw material - keys easier.
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