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Monitor Recommendations neededPosted by Steve Douglas
Still on my 2002 23" HD Cinema Display Acylic and desperately need to get a new monitor. I don't want Apple's 27" glossy and I remember that there were a few Dell's that people were recommending awhile back. Thinking also of one of the higher resolution HP monitors as well but sure would appreciate your suggestions here.
Steve steve-sharksdelight
Computer Monitor HP 2475W 24" 1920x1200. Not Glossy. It's used in lots of edit rooms. B&H's Avid systems are set up with these.
[h10010.www1.hp.com]
It depends on whether you want a dual monitor setup.
I have LP2475W and ACD 23" (aluminum) in a dual setup. I can't help but think as dual 2560x1600 monitor setup would be large and in many cases the text tiny. Of course if you can manage that . . . Maybe you're thinking of single display but dual 1920x1200 is 3840x1200 and wider is more important than height for me. I'd think you'd get more useful space per dollar that way as well given the price of 2560x1600 monitors.
Thanks very much for the feedback. While I use an external monitor via the MXO2 box for CC, I only use a single computer monitor. Space is an issue for me, true, and I have no real need for a dual monitor system but was of the thought that the higher the resolution for a monitor when working in AE or FC would be an improvement over the 2002 Apple monitor I use now.
Steve steve-sharksdelight
I should mention some people like the Dell Ultra Sharp series as well. During my research I had mixed felling about the Dell monitors though. I wish I could remember the reasons.
On thing I do like about the HP LP2475W is that it has HDMI in as well with 1:1 pixel mapping. With the touch of a button on the monitor it goes from computer to MXO2 input with 1:1 pixel display. Of course there's some debate as to the color accuracy of the MXO2 setup but being able to do that is a nice convenience. I do calibrate my monitors with Sypder3 Elite first though.
What's wrong with the ACD 23"-- the tube failing?
You know what? If you have an output monitor which gives accurate color for grading, you can get away with a lowly 22" Acer X223W or two. They are antiglare hardcoat just like the old Apple displays, the color is reasonable and adjustable-- for 50,000:1 contrast ratio. You get a Millions of Colors palette and several resolutions to choose from. Just don't expect any two monitors to match exactly-- and be ready to return one if it shows a dead pixel or two! Q/A is low-- that's what you pay for in Apple stuff. But I'm having a ball with two of these attached to the stock G120 card in my 2009 8-core, one through the 30.00 MinDisplayPort-to-DVI adapter. Gives me max 1680 X 1050 resolution on each, same as the old ACD 20". I especially appreciate the thin bezel on this model. They're still offered at between US$140 - 170 each. This way, I can bide my time till Apple releases proper antiglare screens again. Or not. (I have a similar philosophy about using a cheap Boost mobile while waiting on Apple till Verizon gets the iPhone, which I hear is happening!!) Do *not* attempt color correction on these without a live calibrated screen to reference, of course. But for sundry editing and client content review, they're working just fine, and they don't have to view my condo behind us while watching. - Loren Today's FCP 7 keytip: Play from Playhead to Out Mark with Shift-P ! Your Final Cut Studio KeyGuide? Power Pack. Now available at KeyGuide Central. www.neotrondesign.com
Actually Loren, nothing is wrong with my Acyrilic monitor and Ken Stone has convinced me to stay with it. I was under the mistaken believe that getting one of the newer monitors whose contrast ratio and resolution greater than 1920x1080 would make a big difference. Guess I was wrong.
Steve steve-sharksdelight
BTW if you need more space that's why I'd recommend simply adding a second monitor of similar resolution. Make sure the 2nd monitor supports HDMI which the LP2475W does (and I suspect the Dell UltraSharp may). This way you can toggle to the MXO2 to check output. Of course maybe you want output from MXO2 always on.
Steve writes-
[Actually Loren, nothing is wrong with my Acyrilic monitor and Ken Stone has convinced me to stay with it.] Sure. My 20" acrylic is still chugging along, although I really wanted two 23" aluminum ACD's from Apple-- IMHO the finest display they ever made, and the MXO was optimized for those. So of course-- discontinue it! Only logical. You know, like abandoning MacWorld and killing that because "trade shows are irrelevant." You know, like CES... like antiglare... irrelevant. (What focus problem?) [ I was under the mistaken believe that getting one of the newer monitors whose contrast ratio and resolution greater than 1920x1080 would make a big difference.] Never had a need for gargantuan displays like the 30", and I played with it enough to confirm it for myself. Two's 23" on the average workstation desktop is nirvana. Float them on VESA mounts for ultranirvana. So the Acers are a cheap stand-in. - Loren Today's FCP 7 keytip: Play from Playhead to Out Mark with Shift-P ! Your Final Cut Studio KeyGuide? Power Pack. Now available at KeyGuide Central. www.neotrondesign.com
Right now I am using the KDL XBR6 which I connect to the MXO2 via the MXOs HDMI out to the in of the Sony. The Apple Cinema Display uses a DVI to ADC adaptor. If I did get a new monitor to replace the ACD and it had HDMI out I could probably have it go straight from the monitor to the HDMI in on the Matrox and bypass the need for the DVI/ADC adaptor.
Steve steve-sharksdelight
30" will give you greater single monitor resolution but two 1920x1200 displays side by side will give you greater horizontal resolution.
In short, I think two 1920x1200 monitors in which one can also be switched to HDMI gives you maximum flexibility. Personally I would not find a single 30" monitor with a 2nd HDMI only monitor for viewing video adequate for my needs. I like having a monitor that does double duty given my space considerations. If space and budget were not a consideration I'd have two 30" monitors and then a 32" HDMI monitor (well if budget really wasn't an issue I'd have an HD-SDI monitor with Blue check).
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