represents a welcome alternative to After
Effects at a good price point, it at times shows its version
one "roots" when working with vector graphics generated
For example, while it can import native Illustrator files with
certain options enabled in the Illustrator "save" dialog
box, it cannot import multi layer Illustrator files as a "project"
retaining formatting, names and layout.
Individual files are first saved with
the "PDF Compatible" option checked in Illustrator,
and then imported individually for compositing in Motion. Once
imported, you had to follow a multi step process in Motion to
turn off the "fixed resolution" box in the Inspector
so that the files would retain crispness when scaled. This inelegant
process slowed workflow and the creative process in what was
otherwise a real time program.
Enter LayerLink 1.1 for Motion, a $119.00
plug-in that imports Illustrator multilayer files (including
CS) as a project in Motion with separate layers for each of the
layers created in Illustrator. In addition, it automatically
unchecks the "fixed resolution" box in the media tab
to permit these layers to be continuously rasterized with no
resolution lost when applying effects in Motion.
This ostensible "one trick pony"
performs an essential task for those of us who prefer to use
vector files generated in Illustrator for some of our motion
graphics. And, as you will soon discover, LayerLink comes with
a whole circus full of tricks to ease workflow and accentuate
the creative process using vector files.
Create your Illustrator project using
multiple layers, and name accordingly.
Save the file with the ".ai"
extension in Illustrator or Illustrator CS.
Launch Motion, and from the File Menu,
choose "Import Illustrator as project . . ."
In the resulting dialog box, elect the
".ai" multilayer file you've created.
The Illustrator file opens as a project
with a separate layer for each of the layers created in Illustrator.
You'll notice that the layers tab details separate media for
each layer of the Illustrator file, and LayerLink places each
Illustrator layer in the timeline. Moreover, the project is composited
in the canvas as it was created in the Illustrator file -- intact
with all layer settings, names, and visibility.
You do not have to manually uncheck the
"fixed resolution" box in the Inspector/Media tab to
preserve quality when adding filters, scaling, or completing
other Motion work. LayerLink does it for you.
Individual layers retain their vector
sharp crispness and will "continuously rasterize" in
Motion as they are scaled even as high as 1000%.
Adding filters, behaviors and scaling
also preserves crispness, but you have to be careful due to how
Motion has apparently implemented continuous rasterization when
filters are added. You must add the filter to the Motion "container"
layer holding the Illustrator layer, and then scale the Illustrator
layer, not the "container" layer. Otherwise, you'll
see a significant loss of resolution. This is something Apple
should address in future versions of Motion. It is a far better
workflow to permit the scaling of the Motion's layer container
rather than the layer representing the Illustrator layer.
LayerLink 1.1 also automatically updates
your Illustrator layers in Motion as they are modified in Illustrator.
Change a color, or resize a layer in Illustrator, save the file,
and your open Illustrator project in Motion is updated. New layers
created in Illustrator can be added or substituted as well. Any
of the layers can be grouped as a single layer, and modified
LayerLink is the first, to my knowledge,
native third party plug-in for Motion. It therefore doesn't rely
on the spotty implementation of 3d party plug-in support in the
current version of Motion. Layers can be manipulated in real
time given the fact that the "plug-in" characteristics
of LayerLink relate to its import capabilities.
Ampede should be shortly providing a
manual in some form for LayerLink, although one is apparently
unnecessary given the well implemented feature set of the plug-in.
The web site will soon have additional sections for a user forum,
tips and tutorials and additional resources.
This plug-in represents the first blow
in a growing effort by third party developers to provide additional
resources to augment the feature set of Motion in the creative
process. Some will balk at the $100 price for this plug-in. However,
the ease with which it facilitates the use of native multilayer
Illustrator in Motion makes it indispensable in my view.
David A. Saraceno
Saraceno is a motion graphics
artist located in Spokane, Washington. He has written for DV
Magazine, AV Video, MacHome Journal, and several state and national
legal technology magazines. David also moderates several forums