|Review: Virtix Effects
for Final Cut Pro
for Final Cut Pro
Reviewed By Ned
Effects made its appearance back in the days of the original
iMovie as one of the first packages to add effects to Apple's
revolutionary free-but-consumer grade editor. The company has
since expanded its offerings for iMovie and now moves into the
more professional world of Final Cut Pro and After Effects.
I'll only consider the Final Cut Pro
version for our purposes here.
Virtix Effects consists of 30 Video Filters
which install normally into the FCP plug-ins folder. Download
and installation are straightforward and those filters may then
be applied to any clip and their effects keyframed.
Just merely reading the effect titles
fills the user with anticipation that such a relatively inexpensive
package can achieve so many effects.
But, alas, I must say that Virtix Effects
just about lives up to these great expectations. The package
contains a number of useful filters that would definitely augment
the creative capabilities of FCP users yet many of the filters
don't quite go far enough. I'll discuss several of the filters,
comparing where appropriate other plug-in packages for FCP and
noting the relative strengths and weaknesses of Virtix in relation
to these other options.
This can really be cool. Every so often we all need that Lawrence
Welk effect. Add a little "Champagne Music" under this
clip of Zoser's Step Pyramid (2800 BC) and you'll have old Zoser's
mummy tapping out "an' a one an' a two" This effect
is one serious piece of fun.
Here is an example of a great effect that does not go quite far
enough. The effect, in the words of the developer, "displays
multiple overlaid copies of the image from left to right."
It is a great effect which actually might work here in our scene
of the Egyptian desert. Yet the overlaid images only shift along
the horizontal plane. It would be much more useful to be able
to control both horizontal and vertical movement.
This one is pretty much a one-trick pony and simply places a
white border around the edges of the image, with radius and gradation
controls. Yes, it works and is a very effective filter. But I
do feel that the CGM Volume 2 filter "Color Glow (8 point)"
provides much greater control but masking the area essentially
using a user-defined 8 point matte. Once again, it is good but
others do the job a little better.
What fun! This one turns the image into a sketch. It actually
is easier to use and I think more effective than the Boris Cartooner
included in the Boris Continuum Complete package.
And while we are talking about interesting visuals, Stained Glass
allows creation of a mosaic tile or stained glass effect, also
Another excellent distortion filter is Funhouse, creating the
effect of those distortion mirrors in the county fair funhouse.
The filter with the greatest promise
The Pixel Fixer has the most promise of any filter in the package.
This would enable the interpolation of pixels surrounding either
a dead pixel, a dust spot, or some other flaw in the image.
| Pixel Fixer After
As you can see from these before and
after screen shots, the comparatively large white spot has been
removed and the pixels blended. Using the center point picker,
the point to be interpolated can be selected and then sliders
control the radius of the area to be blended. There were several
problems here. First, the center picker would never center the
box over the point I clicked in the Canvas window. The second
issue is that the bounding box does not have coordinate or slider
controls for top, bottom, left, right. It is only possible to
adjust the dimensions of the square surrounding the selected
Several of the filters just don't
make it at all.
The Witness Protection filter creates
a spot to blur out a face "to protect the innocent"
in these days of Dragnet reprise.
Of course, the same effect could be created
by compositing the image on top of itself, applying a mask shape
and then a blur-all from within FCP's native capabilities. Still,
it is nice to have a filter which would perform that operation
with one click. Yet this blur filter is not variable. One might
want the effect of pixelizing the face rather than just blurring.
There are simply not enough parameters.
Laser and Laser Point To Point
The laser filter shot a rather unnatural-looking laser. The Point
to Point filter allowed better definition of the starting and
ending points of the laser firing while the Laser filter was
totally buggy. I was unable to set a starting point by clicking
the position cross-hair in the Canvas window. The filter simply
was reading the coordinates incorrectly. This is a shame, because
laser and other lighting filters could potentially be useful.
"Laser and Laser Point To Point"
Likewise, the Lighting filter
just shot a bolt of lighting.
The documentation recommended using the
Zap filter for more accurate placement of lighting. Much more
detailed lightning effects can be obtained from the Final Effects
Complete package, but that also carries a $700 price tag.
Other filters include Glint, to
create a lens flare and Heat to create the illusion of
heat rising up from the hot dessert sands.
The heat filter was particularly effective
when applied to the Alpha channel and did give the illusion of
moving waves of heat. Glint, however, was not particularly natural
and gave little control over the shape of the flare. There are
few packages that can actually approach the flare capability
of Knoll Light Factory, however. Boris Continuum Complete contains
both lens flare as well as moving light filters. Keep in mind,
though, that the Virtix filters are part of a $125 package rather
than a $600 package from Boris or $200 package from Knoll.
As an example of the difference between
the less-expensive and more expensive package, compare the Rain
filter from Virtix
"Rain Filter from Virtix"
with the Rain filter from Boris Continuum
"Rain filter from Boris Continuum Complete."
Note the additional parameters that the
Boris package provides.
Likewise, let's compare the Scope filter in Virtix
"Scope filter in Virtix"
with the Binoculars filter in CGM Volume
"Binoculars filter in CGM Volume 2"
Once again, the competing package is
more comprehensive in its possibilities. And this CGM package
is in the $100 price range.
There are some limitations to this Virtix
package. It is essentially iMovie scaled-up to FCP yet still
at iMovie level pricing. That means that it may not contain the
precision or the flexibility that many FCP professionals might
On the other hand, it contains a wide
assortment of special effects not found together in any other
single package. The effects are creative and can be used to great
advantage in a number of possible editing scenarios. One must
measure value based upon the pricing of filters which achieve
comparable effects. Boris Continuum Complete is $600; Final Effects
Complete, just released for FCP and OS X, is $700. The CGM Volume
2 filters contain some of the effects found within Virtix at
its $100 price point, and where CGM duplicates Virtix, it does
a much better job.
I would recommend the Virtix Effects
package to editors on a budget who need cool effects and do not
mind compromising greater control for greater economy. Final
renders are good; the plug-ins are stable and do not cause FCP
to crash. The variety of filters is extensive. In short, this
is a very fine consumer package which professionals could also
utilize to some advantage.
Ned J. Soltz Ned Soltz is passionate about the
uses of technology to enhance the creative process. He only wishes
that he were more creative. Now that he has a mobile FCP studio
on his Powerbook G4, you can catch him on the road at email@example.com.
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