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2008 FCPUG SuperMag Magazine
100 pages of articles and FCS tutorials
Color Correction In FCP Expanded
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Wednesday, October 28, 2009
Get out of the house and into lafcpug!
Join us as we welcome film editors Eric Zumbrunnen and Erik Jessen to lafcpug where they will discuss and show off the FCP workflow they used for the just released and much anticipated film from Spike Jonze, Where the Wild things Are.
Also Jon Thorn from AJA will show off the finally shipping Ki Pro, the tapeless video recording device that records high-quality Apple ProRes 422 QuickTime files.
Also Jonathan Houser of Cinemak, author of the just released iPhone app, Hitchcock will fly down from Seattle to let us see it in action. Hitchcock for iPhone and iPod Touch is a mobile storyboard and pre-visualization composer designed for Directors, Directors of Photography, Producers, Writers, Animators, Art Directors, film students and anyone who wants to be able to visualize their story.
Plus Stump The Gurus and World famous Raffle
Agenda (Subject to change)
6:45- 7:15PM - Stump the Gurus
Join FCS Gurus Larry Jordan, Michael Alberts, Brian Gary and Bruce Nazarian as they will attempt to answer all of your questions and solve all of your problems concerning FCS. If they can't solve your problem or answer your question, then you go home with a problem, but you still got out of the house, so that's not a bad thing.
7:25PM - 7:50PM - Hitchcock - Jonathan Houser
Jonathan Houser of Cinemak, author of the just released iPhone app, Hitchcock will fly down from Seattle to let us see it in action. Hitchcock for iPhone and iPod Touch is a mobile storyboard and pre-visualization composer designed for Directors, Directors of Photography, Producers, Writers, Animators, Art Directors, film students and anyone who wants to be able to visualize their story.
7:55PM - 8:30PM - AJA Ki Pro - Jon Thorn
"The AJA Ki Pro is a tapeless video recording device that records high-quality Apple ProRes 422 QuickTime files onto computer-friendly media. Because it features SD/HD-SDI, HDMI, and analog inputs, you can interface with virtually any type of camera you might own or rent. Enjoy monitoring flexibility through Ki Pro's numerous simultaneous outputs, connecting to both professional and consumer monitors." Jon Thorn will show and Tell all.
8:35PM - 9:00PM - Break
In the lobby will be many FCS Gurus. This is your chance to ask questions. No questions? Author Lisa Brenneis will be selling a few copies of FCP 7 Visual QuickPro Guide. JLCooper will be showing off the Eclipse CX Midnight Controller. Also Veescope Live will be in lobby. Also Footagehead.com with kick butt stock footage. Also lafcpug meeting sponsor MelroseMac will be in lobby answering all your questions. And food from Chef Jeff Stansfield.
The break is a chance to hang out and meet and greet and get your problems solved and who knows, get a job. You never know who you are going to meet at lafcpug. Snacks and Beer and Wine will be on sale in the lobby. Proceeds go to the Gallery Theater.
9:00PM - 9:50PM - "Where The Wild Things Are" - Eric Zumbrunnen and Erik Jessen
Spike Jonze's new movie, Where the Wild things Are, has just opened in the US to both critical and box office acclaim.
Cut with FCP and over 5 years in the making, lafcpug is honored to bring to the stage, editor Eric Zumbrunnen and assistant editor Erik Jessen. They intend to show off the workflow they developed for the movie and answer as many questions as time allows.
About Eric Zumbrunnen:
Eric Zumbrunnen has edited the films "Being John Malkovich" and "Adaptation," as well as iconic music videos such as Fatboy Slim's Weapon of Choice and bjork's "It's oh, So Quiet." He has also edited dozens of commercials which you can view by going to http://www.finalcut-edit.com/ and clicking on Los Angeles.
About Erik Jessen:
Erik Jessen was first assistant editor on the film "Sky Captain and The World Of Tomorrow, one of the first big budget effects heavy films to use Final Cut Pro." He was editor on a global Christmas Coke campaign in 2006, and was editor on a proof of concept piece for Paramount called John Carter of Mars. You can view some of Erik's work HERE.
10:00PM - World famous Raffle
AJA Io Express - AJA
Magic Bullet Looks - Red Giant Software
E51 Multimedia Console Desk and Monitor Bridge- Edit5 Consoles
"Final Cut Pro Power Skills," - Larry Jordan
1 month FREE rental of any or all Genarts Plug-ins - Genarts
Copy of RED: The Ultimate Guide to Using the Revolutionary Camera - Peachpit
"Fast Path to Blu-ray for Mac" - Bruce Nazarian
50% off Training Course of your Choice- Weynand Training
2 free Stock Footage Clips - Artbeats
Copy of Compressor 3 Quick Reference Guide - Brian Gary
Mocha for Final Cut - Imagineer Systems
1 seat of Nveil video filters for FCP & Motion - Nveil
$200 towards MotionVFX Templates - MotionVFX
QC Effects for FCP and Motion - QC-Effects
2 free Stock Footage Clips - Footagehead.com
A Guide to Creating Video for the Web - Creative Cow
Getting Organized in Final Cut Pro - Creative Cow
Sound Effects - Hollywood Edge
$200 free Stock Footage Clips - Pond5
Copy of UserMatic - EditGroove
Training course of your choice - Call Box
Motion Graphics templates and Effects - SugarFX
Crowd Control Pre Keyed Footage - AllBetsAreOff
Copy of VeeScope Live - VeeScope Live
$100.00 off or towards any Digital Heaven products - Digital Heaven
100 credits for the royalty free stock video clips of your choice - Revolution Stock Media
Copy of DVDxDVPro - DVDxDV
50% off Training class at Moviola - Moviola
Plug-in package of your choice - Lyric Media
Keyboard KeyGuide - Neotron
How to get to the Gallery Theater at Barnsdall Art Park
Click here for Google Map
Click HERE to download a PDF(300K) of the grounds that points out the parking areas and includes other helpful hints.
The Gallery Theater at Barnsdall Art Park
4800 Hollywood Boulevard
(between Vermont and Normandie)
Hollywood, CA 90027
Enter through the gate on Hollywood Blvd just West of Berendo. The theater is at the top of the hill, adjacent to the art gallery.
From US 101 (heading South),
take the Hollywood Boulevard exit.
Turn left at the end of the exit ramp onto Hollywood Boulevard.
Turn right into the entrance to Barnsdall Art Park at 4800 Hollywood Boulevard. (you will only see a parking lot. Drive to top of hill to find the Gallery Theater)
The Gallery Theater is in the center of the park.
From US 101 (heading North),
take the Vermont Avenue exit.
Turn right at the end of the exit ramp onto Vermont Avenue.
Turn left onto Hollywood Boulevard.
Turn left into the entrance to Barnsdall Art Park at 4800 Hollywood Boulevard. (you will only see a parking lot. Drive to top of hill to find the Gallery Theater)
The Gallery Theater is in the center of the park.
Metro Red Line
Yes, Los Angeles has a subway and if possible you ought to use it. Riders are dropped of at Sunset and Vermont, one long block from the Art Park. More info on the Red Line can be found here.
Note on Parking: Parking is FREE. There is ample parking on top of hill near the Art Park. Parking extends around the perimeter of the Park. NOTE: Please park your car diagonally even though the spaces are not marked that way. If there are no spaces to park at top, then use parking lot at bottom of hill near Hollywood Blvd. Click HERE to download a PDF(300K) of the grounds that points out the parking areas and includes other helpful hints.
Wheelchair access: Park in the lot next to the Hollyhock house (you will see a handicap parking sign), come into the theatre entrance, and take the elevator down. There will be space in the front of the theatre for wheelchairs.
Before or after the meeting, there is a fine restaurant row on Vermont between Hollywood and Franklin (just around the corner from the park). There are also a number of funky ethic eateries along Hollywood Blvd.
digital projection made possible through the generous sponsorship of
Apple Computer and the Pixel Corps
with additional support from Adobe Systems, AJA, ProMax Systems,
BIAS, Inc. DigitalFilm Tree, and Gefen Inc.
lafcpug meetings are presented in association with the
Barnsdall Gallery Theatre, a facility of the City of Los Angeles
Department of Cultural Affairs