6:45- 7:15PM - Stump the Gurus
Join Gurus Patrick Southern, Misha Tenenbaum, Karl Soule and Adam Bedford as they will attempt to answer all of your questions and solve all of your problems concerning FCS and FCPX, Avid, Premiere Pro and anything else you can think of. If they can't solve your problem or answer your question, then you go home with a problem, but you still got out of the house, so that's not a bad thing.
7:20PM - 7:30PM - Announcements
This is your time, assuming we have time. New to LA? Say Hello. Got a movie you want people to see? Tell us about it. Looking for a job? Tell us. Offering a job? Tell us.
7:30PM - 8:00PM - Color Finale - Caitlyn Cutler
Color Finale is a color grading plugin for Final Cut Pro X that introduces industry standard grading tools like 3 Way Color Wheels, RGB Curves, 3D LUTs (Look Up Tables) and MORE all within your Final Cut timeline.
Caitlyn Cutler will be showing everyone how she color corrects her travel and music footage that she is putting together for her reel and will also show the difference between Color Finale Pro and the standard version of Color Finale. She will also show a few tips and tricks that she's learned over the last year.
About Caitlyn Cutler
Currently living in Los Angeles, I've been a freelance videographer for the last five years. I graduated with Bachelor's in Photography at Utah Valley University. I've worked mostly traveling with a band, The National Parks while also doing travel videos for companies including Marriott Hotels and Alaskan Air. I have been featured on CMTedge.com, Buzzfeed.com, popmatters.com and my work has been published in Photographer's Forum. I also won the Audience Choice Award at the Iron Horse Literary Review Film Festival. You can find more about Caitlyn on her web site.
8:00PM - 8:30PM - Working with Color and Adobe Premiere Pro - Karl Lee Soule
Join Karl Soule as he goes in-depth in the features of the Lumetri Color Panel within Premiere. Karl will cover:
* Introduction to the Lumetri panel.
* Using secondaries.
* setting up a Tangent Element hard surface control in Premiere.
* use of adjustment layers to manage color on a scene level
* use of Master Clip Effects
* masking/tracking in Premiere
* Use of LUTs and Libraries.
* exporting color as Premiere presets or generic LUTs for use in other tools.
*Using LUTs in Media Encoder for dailies and proxies.
About Karl Lee Soule
Karl Soule recently returned from 5 years living and working in Asia, growing the awareness and adoption of Adobe Premiere Pro in broadcasting and film. He’s now living and working in Culver City, covering the greater LA region to help adoption of Adobe Creative Cloud tools in the film industry.
8:30- 8:55PM - Break
This is the most important part of the show. It's networking time. This is a great opportunity to not only ask questions and get problems solved, but to meet people that just might change your life. Edit5 Consoles will be in lobby Get to the Gallery early for this one.
9:00PM - 9:40PM - Digital Intermediate, and the Death of It - Christian Ellis
Digital intermediate workflows are becoming a thing of the past, and yet the acronym “DI” persists to describe a process that has nothing intermediate about it. Advances in image acquisition and post production technologies have opened a wide range of finishing possibilities for both DIYers and high end post facilities. The modern post finishing process leverages new workflows to get as much camera original footage as possible in the colorist’s hands, while efficiently finishing more projects than ever before. Learn how to emulate these processes to scale your work, whether it’s through a post house or on your own.
About Christian Ellis - Senior Episodic Producer , Light Iron
Christian Ellis began his career at Laser Pacific, working his way from the vault to managing television and large-scale theatrical installations. His thirteen years there saw the transition to HD, the adoption of 24p, the rise of Final Cut Pro, and many other changes in post – fostering an appreciation for constant evolution in workflow.
Moving to Mad Old Nut Productions, Christian kick-started a post production business specializing in Avid Rental and television finishing.
At Sony Colorworks, he oversaw 4K finishing and IMF deliverables for a variety of projects.
Christian joined Light Iron in 2016 to lead its newly created Episodic Department, overseeing the finish of network shows like Baskets, Better Things and The Walking Dead, as well as OTT-distributed shows such as Goliath, Transparent, and Glow.
In his spare time, Christian enjoys spending time with his family, surfing, and fly fishing.
10:00PM - World Famous Raffle
Editing Chair - Edit5 Consoles
2x EasyTracker - Crumplepop
OWC Mercury Elite Pro Dual mini - OWC
1 Year Subscription to Boris Continuum Complete 10 - Boris FX
1TB EV G Tech Rugged Drive - IVB Media Services
1 Year Subscription to Mocha Pro - Imagineer Systems
1 year subscription to Sapphire 10 - Boris FX
Copy of CineXinsert - Cinedeck
AKiTiO Thunder Dock - Advantage Video Sysytems
1 DigiSuite V3 - Digieffects
2x copies of a "free scene" with feedback from EditStock
Automatic Duck Bottle Openers - Wes Plate