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New Final Cut Pro at Supermeet, April 12Posted by Sweditor
Does anyone know if they are having the lives stream this year? Did this change when Apple took center stage? There doesn't seem to be any mention of it on the SM page and sadly I am stuck
in my bunker working and can't get out there this year. Or maybe not sadly; I suppose I could be unemployed.
[ You don't have a choice. Period. You're big footed. ]
Well, a little perspective-- Mike and Dan had a choice; they've pretty much gone independent of Apple and allowed other products into the mix. But the idea of scooping everybody with the SuperMeet originally invented for FCP makes perfect sense, as hamhanded as the arrangements were. I fault Apple marketing. Maybe they'll make up for it with some aggressive recession pricing. As for pioneer Jim Henson-- two nights ago I met the new Kermit-- Steve Whitmire is the heir apparent to Jim. Gifted puppetmaster thrilled an invite-only crowd here in Boston, along with producer David Hoberman, who is just now in first cut on Disney's THE MUPPETS. It looks like a scream. - Loren Today's FCP 7 keytip: Nudge a Canvas layer by SUBpixels with Command-Option with Arrow keys ! Your Final Cut Studio KeyGuide? Power Pack. Now available at KeyGuide Central. www.neotrondesign.com
Command option moves in smaller increments that just option though. Up and down it moves in increments of .01, instead of 1.0. Weirdly, left and right it moves .75 at a time with option, and .08 OR .07 (seemingly randomly) with option command. Not sure who figured out the maths on that one.
Seriously tho ... switch to a square pixel timeline and check again ... and yes, the motion tab only displays point values to two degrees of precision, so 0.075 is shown as 0.08, but the more accurate value is held internally so that when you add another 0.075 then it's total is correctly shown as 0.15 ... eek, we should add this to the video maths thread!
If the new FCP doesn't float your boat, Avid is offering a crossgrade to MC for $995. So it's a win-win!
- Justin Barham -
You won't actually hear until tomorrow night but common sense (IMHO) is the whole thing is going to be a modal type interface. This ain't just and update. It's probably a ground up re-write right down to the new Quicktime underpinnings. The apps might not exist anymore as you know it. It may be a single app with rooms or modes. No need to "round trip" anymore. I'd say it's my "hunch" but just following the logical progression of things I'd say this is a big part of the "jaw drop."
Jude reports-
[Command option moves in smaller increments that just option though. Up and down it moves in increments of .01, instead of 1.0. Weirdly, left and right it moves .75 at a time with option, and .08 OR .07 (seemingly randomly) with option command. Oooooo, good call on that, Ms. C! [Not sure who figured out the maths on that one] Same folks who gave us that tasty delicious FCP scaling algorithm Tom loves so much ;-) Be curious to see if that's been rectified tomorrow. - Loren Today's FCP 7 keytip: Nudge a Canvas layer by SUBpixels with Command-Option with Arrow keys ! Your Final Cut Studio KeyGuide? Power Pack. Now available at KeyGuide Central. www.neotrondesign.com
Have you looked at the new Phyx Keyer 2 which works in Motion and FCP?
I believe they had a plugin for Shake [www.phyxware.com] and some info here if you scroll down [www.noiseindustries.com] Basically I think their keyer was called Matte Collection in Shake [www.phyx.biz] and here [www.phyxware.com]
I've used Phyx Keyer 1 in FCP but I haven't tested 2 which I know have.
Keyer 1 was very nice clean. As you can see they did features specific to working with less then great source material. That they have chroma smoothing for 4:1:1 and 4:2:2 (which also works with 4:2:0) is very nice. Lightwrap is nice as well. It's well though out. Heck the demo is free. Given what I believe to be the code base I suspect it will easily integrate into upcoming FCS as well.
Andy Mees Wrote:
------------------------------------------------------- > Or put another way ... > > If the new FCP does float your boat, Avid is still > offering a crossgrade to MC for $995. So it's a > win-win! I like your wording better Andy. Actually, another way to think about it is; if you were going to by Media Composer, you could actually save money by first buying FCP and doing the crossgrade. Who's have thought a few years ago that you could buy Final Cut Studio, Media Composer, and DaVinci Resolve, all for a grand total of $3,000? Not too shabby. - Justin Barham -
T-12 or so and counting...
Pretty amazing news too about prime vendors moving over to Mac and FCP. Assume they all got a heads up on at least some of the details, too much of a coincidence otherwise. Should be a strong indicator that we're not going to see iMovie Pro as some would lead us believe. Fascinating times these. Can't recall a release of any NLE generating this much buzz.
I have to say Apple wouldn't choose to present at a SuperMeet filled with editors who run businesses, work at big facilities or even manage such facilities, if they were "dumbing down" Final Cut. I think we're going to see ENTERPRISE based features and THAT'S why prime vendors are taking this seriously. ThunderBolt really is going to open some powerful solutions.
If Apple were doing "iMovie Pro" they'd be presenting in a controlled environment to the mainstream press and not an audience of demanding professional editors (who may well have been interested to hear what Avid had to say no less).
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